|
|
Sunday, October 20, 2019
|
(All Day)
|
|
Monday, October 21, 2019
|
(All Day)
|
|
Tuesday, October 22, 2019
|
(All Day)
|
|
11:00 AM - Noon
|
Study Abroad Orientation (Nuts & Bolts), Harley Room
(Academic)
|
Description: |
This
orientation is for students studying abroad in spring 2020 regarding general
preparations for international travel, such as: banking, flights, packing, and
other logistical matters. Returned study abroad students will also be present
to share insights and suggestions with current applicants. All spring 2020 study
abroad students are required to attend.
|
Location: |
Harley Room, Richardson Athletic Building |
Contact: |
International Programs
|
|
Noon - 1:00 PM
|
Study Abroad Orientation (Alumni Advising), Harley Room
(Academic)
|
Description: |
The
office of international programs invites study abroad alumni to lunch to
connect them with our spring 2020 study abroad applicants. During this event, spring
2020 students will have the opportunity to speak to students who have studied
with their program and/or in their location in previous semesters. All spring
2020 study abroad students are required to attend.
|
Location: |
Harley Room, Richardson Athletic Building |
Contact: |
International Programs
|
|
1:00 PM - 5:00 PM
|
Art Exhibit: Props: Personal Identities in the Portrait Photography of Richard Samuel Roberts, Richardson Family Art Museum (lower level)
(Arts and Cultural (On Campus))
|
Description: |
Props:
Personal identities in the Portrait Photography of Richard Samuel Roberts
The
term “props” brings to mind the objects used in the theater that help establish
the meaning of a scene. In this theater context, the word is shortened from
“properties,” things collectively owned by a theater group. But could the term
also reflect the notion that props show “properties” of a character, offering
layers of information and meaning to a viewer.? “Props” is also a slang term,
meaning “proper respect.” In this show, we analyze the props in photographic
portraits taken by RSR between 1920-1936 to see the way that the “props”—most
often objects chosen by the sitters themselves—tell us something about the
self-identity of the sitters. The objects chosen often underscore the proper
respect due the sitters based on their attainments, but also can give
insights—in an otherwise very formulaic genre—into the inner desires and
predilections of the sitters. Props thus can help us see beyond the surface,
or, perhaps conversely, can reify socially-agreed upon tropes.
September 3 –
December 14, 2019
Richardson
Family Art Museum (lower level)
Exhibit Hours: Tuesday, Wednesday, Friday, Saturday: 1 – 5 p.m.
Thursday: 1 – 9 p.m.
Closed on Sunday and Monday
|
Location: |
Richardson Family Art Museum (lower level) |
Contact: |
Youmi Efurd
|
|
1:00 PM - 5:00 PM
|
Art Exhibit: Siendo mujer: a short study of the female experience in South America, Richardson Family Art Gallery
(Arts and Cultural (On Campus))
|
Description: |
As
the 35th Presidential International Scholar, Lydia Estes attempted to uncover
the visual representation of la mujer, or
the woman, in the South American countries of Chile, Argentina, Uruguay, and
Peru. Siendo mujer means "being a woman", and
this exhibition represents the conversations she shared with resilient,
creative women for whom art plays a significant role in their female
experiences and vice versa--for whom the female experience plays a significant
role in their art.
It
is further a collection of their artwork, also including her own photographs of
them, their spaces, and moments which contribute to the story each is trying to
tell through their work. Her research revealed more questions like, how
are women stereotypically portrayed in their societies? How are female artists
confronting these images through their own artwork, and how are the mediums
they work in an aspect of their protest? And lastly, how will art change the
female experience in future South American societies?
October 17 –
December 20, 2019
Richardson
Family Art Gallery
Exhibit Hours: Tuesday, Wednesday, Friday, Saturday: 1 – 5 p.m.
Thursday: 1 – 9 p.m.
Closed on Sunday and Monday
|
Location: |
Richardson Family Art Gallery |
Contact: |
Youmi Efurd
|
|
1:00 PM - 5:00 PM
|
Art Exhibit: Southern Gothic: Literary Intersections w/Art from the Johnson Collection, Richardson Family Art Museum (upper level)
(Arts and Cultural (On Campus))
|
Description: |
From the haunting novels of William
Faulkner to the gritty short stories of Flannery O'Connor, the Southern Gothic
literary tradition has exhumed and examined the American South’s unique
mystery, contradictions, and dark humor. Beginning in the mid-nineteenth
century, American writers, epitomized by Edgar Allan Poe and Nathaniel
Hawthorne, sought to reinterpret the Gothic imagination of their European
counterparts, dramatizing the cultures and characters of a region in the midst
of civil war and its tumultuous aftermath. Decades later, a new generation of
authors—including Tennessee Williams, Carson McCullers, and Toni Morrison—wove
Gothic elements into their own narratives, exploring the complexities of a changing
social terrain and the ancient spirits that linger in its corners.
With works drawn exclusively from the
Johnson Collection, Southern Gothic illuminates how nineteenth- and
twentieth-century artists employed a potent visual language to transcribe the
tensions between the South’s idyllic aura and its historical realities. Often
described as a mood or sensibility rather than a strict set of thematic or
technical conventions, features of the Southern Gothic can include horror,
romance, and the supernatural. While academic painters such as Charles Fraser
and Thomas Noble conveyed the genre’s gloomy tonalities in their canvases,
Aaron Douglas and Harry Hoffman grappled with the injustices of a modern world.
Other artists, including Alexander Brook and Eugene Thomason, investigated
prevailing stereotypes of rural Southerners—a trope often accentuated in
Southern Gothic literature. Collectively, these images demonstrate that
definitions of the Gothic are neither monolithic nor momentary, inviting us,
instead to contemplate how the Southern Gothic legacy continues to inform our
understanding of the American South.
September 3 –
December 14, 2019
Richardson
Family Art Museum (upper level) Tuesday, Wednesday, Friday and Saturday - 1 - 5 p.m. Thursday - 1 - 9 p.m. Closed on Sunday and Monday
|
Location: |
Richardson Family Art Museum (Upper Level) |
Contact: |
Youmi Efurd
|
|
6:45 PM - 7:45 PM
|
Marvelous Metals, RMSC122
(Academic)
|
Description: |
Join thousands of students and early career chemists from around the world for this FREE, one-night only event during National Chemistry Week. Discover how chemists are developing new technologies using metals at the intersection of organic and inorganic chemistry. From innovations in medical imaging and theranostics to fundamental changes to the way we create everyday necessities like clothing, food, and energy, these scientists will demonstrate how we can harness the power of our “marvelous metals.”
|
Location: |
RMSC122 |
Contact: |
Dr. Zachary Davis
|
|
Wednesday, October 23, 2019
|
(All Day)
|
|
1:00 PM - 5:00 PM
|
Art Exhibit: Props: Personal Identities in the Portrait Photography of Richard Samuel Roberts, Richardson Family Art Museum (lower level)
(Arts and Cultural (On Campus))
|
Description: |
Props:
Personal identities in the Portrait Photography of Richard Samuel Roberts
The
term “props” brings to mind the objects used in the theater that help establish
the meaning of a scene. In this theater context, the word is shortened from
“properties,” things collectively owned by a theater group. But could the term
also reflect the notion that props show “properties” of a character, offering
layers of information and meaning to a viewer.? “Props” is also a slang term,
meaning “proper respect.” In this show, we analyze the props in photographic
portraits taken by RSR between 1920-1936 to see the way that the “props”—most
often objects chosen by the sitters themselves—tell us something about the
self-identity of the sitters. The objects chosen often underscore the proper
respect due the sitters based on their attainments, but also can give
insights—in an otherwise very formulaic genre—into the inner desires and
predilections of the sitters. Props thus can help us see beyond the surface,
or, perhaps conversely, can reify socially-agreed upon tropes.
September 3 –
December 14, 2019
Richardson
Family Art Museum (lower level)
Exhibit Hours: Tuesday, Wednesday, Friday, Saturday: 1 – 5 p.m.
Thursday: 1 – 9 p.m.
Closed on Sunday and Monday
|
Location: |
Richardson Family Art Museum (lower level) |
Contact: |
Youmi Efurd
|
|
1:00 PM - 5:00 PM
|
Art Exhibit: Siendo mujer: a short study of the female experience in South America, Richardson Family Art Gallery
(Arts and Cultural (On Campus))
|
Description: |
As
the 35th Presidential International Scholar, Lydia Estes attempted to uncover
the visual representation of la mujer, or
the woman, in the South American countries of Chile, Argentina, Uruguay, and
Peru. Siendo mujer means "being a woman", and
this exhibition represents the conversations she shared with resilient,
creative women for whom art plays a significant role in their female
experiences and vice versa--for whom the female experience plays a significant
role in their art.
It
is further a collection of their artwork, also including her own photographs of
them, their spaces, and moments which contribute to the story each is trying to
tell through their work. Her research revealed more questions like, how
are women stereotypically portrayed in their societies? How are female artists
confronting these images through their own artwork, and how are the mediums
they work in an aspect of their protest? And lastly, how will art change the
female experience in future South American societies?
October 17 –
December 20, 2019
Richardson
Family Art Gallery
Exhibit Hours: Tuesday, Wednesday, Friday, Saturday: 1 – 5 p.m.
Thursday: 1 – 9 p.m.
Closed on Sunday and Monday
|
Location: |
Richardson Family Art Gallery |
Contact: |
Youmi Efurd
|
|
1:00 PM - 5:00 PM
|
Art Exhibit: Southern Gothic: Literary Intersection with Art from the Johnson Collection, Richardson Family Art Museum (upper level)
(Arts and Cultural (On Campus))
|
Description: |
From the haunting novels of William
Faulkner to the gritty short stories of Flannery O'Connor, the Southern Gothic
literary tradition has exhumed and examined the American South’s unique
mystery, contradictions, and dark humor. Beginning in the mid-nineteenth
century, American writers, epitomized by Edgar Allan Poe and Nathaniel
Hawthorne, sought to reinterpret the Gothic imagination of their European
counterparts, dramatizing the cultures and characters of a region in the midst
of civil war and its tumultuous aftermath. Decades later, a new generation of
authors—including Tennessee Williams, Carson McCullers, and Toni Morrison—wove
Gothic elements into their own narratives, exploring the complexities of a changing
social terrain and the ancient spirits that linger in its corners.
With works drawn exclusively from the
Johnson Collection, Southern Gothic illuminates how nineteenth- and
twentieth-century artists employed a potent visual language to transcribe the
tensions between the South’s idyllic aura and its historical realities. Often
described as a mood or sensibility rather than a strict set of thematic or
technical conventions, features of the Southern Gothic can include horror,
romance, and the supernatural. While academic painters such as Charles Fraser
and Thomas Noble conveyed the genre’s gloomy tonalities in their canvases,
Aaron Douglas and Harry Hoffman grappled with the injustices of a modern world.
Other artists, including Alexander Brook and Eugene Thomason, investigated
prevailing stereotypes of rural Southerners—a trope often accentuated in
Southern Gothic literature. Collectively, these images demonstrate that
definitions of the Gothic are neither monolithic nor momentary, inviting us,
instead to contemplate how the Southern Gothic legacy continues to inform our
understanding of the American South.
September 3 –
December 14, 2019
Richardson
Family Art Museum (upper level) Tuesday, Wednesday, Friday, Saturday: 1 - 5 p.m. Thursday: 1 - 9 p.m. Closed on Sunday and Monday
|
Location: |
Richardson Family Art Museum (Upper Level) |
Contact: |
Youmi Efurd
|
|
4:00 PM - 5:00 PM
|
MENA Lecture Series: Making Order out of Chaos: Rebel Governance and the Syrian Conflict Dr. Gilbert, McMillan Theater
(Academic)
|
Description: |
Making Order out of Chaos: Rebel Governance and the Syrian Conflict Since 2011 Syria has been rocked by violence and bloodshed. The international press has highlighted the atrocities of ISIS, the use of chemical weapons, and the role that foreign states, such as Russia, have played. While these are all extremely important issues, they give rise to a misperception about life on the ground in Syria. Amidst violence and chaos new institutions emerged to provide public goods and governance in rebel controlled areas. In a country that had known authoritarianism for decades, some cities and towns held democratic elections, had public meetings to discuss affairs, and secured a place for women at the table. This talk will discuss this process, its effects, and some of the potential long-term ramifications of local governance in Syria.
|
Location: |
McMillan Theater |
Contact: |
Courtney Dorroll
|
|
Thursday, October 24, 2019
|
(All Day)
|
|
11:00 AM - Noon
|
|
11:00 AM - 1:00 PM
|
|
1:00 PM - 9:00 PM
|
Art Exhibit: Props: Personal Identities in the Portrait Photography of Richard Samuel Roberts, Richardson Family Art Museum (lower level)
(Arts and Cultural (On Campus))
|
Description: |
Props:
Personal identities in the Portrait Photography of Richard Samuel Roberts
The
term “props” brings to mind the objects used in the theater that help establish
the meaning of a scene. In this theater context, the word is shortened from
“properties,” things collectively owned by a theater group. But could the term
also reflect the notion that props show “properties” of a character, offering
layers of information and meaning to a viewer.? “Props” is also a slang term,
meaning “proper respect.” In this show, we analyze the props in photographic
portraits taken by RSR between 1920-1936 to see the way that the “props”—most
often objects chosen by the sitters themselves—tell us something about the
self-identity of the sitters. The objects chosen often underscore the proper
respect due the sitters based on their attainments, but also can give
insights—in an otherwise very formulaic genre—into the inner desires and
predilections of the sitters. Props thus can help us see beyond the surface,
or, perhaps conversely, can reify socially-agreed upon tropes.
September 3 –
December 14, 2019
Richardson
Family Art Museum (lower level)
Exhibit Hours: Tuesday, Wednesday, Friday, Saturday: 1 – 5 p.m.
Thursday: 1 – 9 p.m.
Closed on Sunday and Monday
|
Location: |
Richardson Family Art Museum (lower level) |
Contact: |
Youmi Efurd
|
|
1:00 PM - 9:00 PM
|
Art Exhibit: Siendo mujer: a short study of the female experience in South America, Richardson Family Art Gallery
(Arts and Cultural (On Campus))
|
Description: |
As
the 35th Presidential International Scholar, Lydia Estes attempted to uncover
the visual representation of la mujer, or
the woman, in the South American countries of Chile, Argentina, Uruguay, and
Peru. Siendo mujer means "being a woman", and
this exhibition represents the conversations she shared with resilient,
creative women for whom art plays a significant role in their female
experiences and vice versa--for whom the female experience plays a significant
role in their art.
It
is further a collection of their artwork, also including her own photographs of
them, their spaces, and moments which contribute to the story each is trying to
tell through their work. Her research revealed more questions like, how
are women stereotypically portrayed in their societies? How are female artists
confronting these images through their own artwork, and how are the mediums
they work in an aspect of their protest? And lastly, how will art change the
female experience in future South American societies?
October 17 –
December 20, 2019
Richardson
Family Art Gallery
Exhibit Hours: Tuesday, Wednesday, Friday, Saturday: 1 – 5 p.m.
Thursday: 1 – 9 p.m.
Closed on Sunday and Monday
|
Location: |
Richardson Family Art Gallery |
Contact: |
Youmi Efurd
|
|
Friday, October 25, 2019
|
(All Day)
|
|
(All Day)
|
Family Weekend 2019
(Alumni and Development)
|
Description: |
Save the date for Family Weekend! More information we be available during summer 2019. Contact Thom Henson, Director of Parent Engagement, for details.
|
Location: |
Wofford College campus |
Contact: |
Thom Henson
|
|
(All Day)
|
|
1:00 PM - 5:00 PM
|
Art Exhibit: Props: Personal Identities in the Portrait Photography of Richard Samuel Roberts, Richardson Family Art Museum (lower level)
(Arts and Cultural (On Campus))
|
Description: |
Props:
Personal identities in the Portrait Photography of Richard Samuel Roberts
The
term “props” brings to mind the objects used in the theater that help establish
the meaning of a scene. In this theater context, the word is shortened from
“properties,” things collectively owned by a theater group. But could the term
also reflect the notion that props show “properties” of a character, offering
layers of information and meaning to a viewer.? “Props” is also a slang term,
meaning “proper respect.” In this show, we analyze the props in photographic
portraits taken by RSR between 1920-1936 to see the way that the “props”—most
often objects chosen by the sitters themselves—tell us something about the
self-identity of the sitters. The objects chosen often underscore the proper
respect due the sitters based on their attainments, but also can give
insights—in an otherwise very formulaic genre—into the inner desires and
predilections of the sitters. Props thus can help us see beyond the surface,
or, perhaps conversely, can reify socially-agreed upon tropes.
September 3 –
December 14, 2019
Richardson
Family Art Museum (lower level)
Exhibit Hours: Tuesday, Wednesday, Friday, Saturday: 1 – 5 p.m.
Thursday: 1 – 9 p.m.
Closed on Sunday and Monday
|
Location: |
Richardson Family Art Museum (lower level) |
Contact: |
Youmi Efurd
|
|
1:00 PM - 5:00 PM
|
Art Exhibit: Siendo mujer: a short study of the female experience in South America, Richardson Family Art Gallery
(Arts and Cultural (On Campus))
|
Description: |
As
the 35th Presidential International Scholar, Lydia Estes attempted to uncover
the visual representation of la mujer, or
the woman, in the South American countries of Chile, Argentina, Uruguay, and
Peru. Siendo mujer means "being a woman", and
this exhibition represents the conversations she shared with resilient,
creative women for whom art plays a significant role in their female
experiences and vice versa--for whom the female experience plays a significant
role in their art.
It
is further a collection of their artwork, also including her own photographs of
them, their spaces, and moments which contribute to the story each is trying to
tell through their work. Her research revealed more questions like, how
are women stereotypically portrayed in their societies? How are female artists
confronting these images through their own artwork, and how are the mediums
they work in an aspect of their protest? And lastly, how will art change the
female experience in future South American societies?
October 17 –
December 20, 2019
Richardson
Family Art Gallery
Exhibit Hours: Tuesday, Wednesday, Friday, Saturday: 1 – 5 p.m.
Thursday: 1 – 9 p.m.
Closed on Sunday and Monday
|
Location: |
Richardson Family Art Gallery |
Contact: |
Youmi Efurd
|
|
1:00 PM - 5:00 PM
|
Art Exhibit: Southern Gothic: Intersection of Art and Literature in the Johnson Collection, Richardson Family Art Museum (upper level)
(Arts and Cultural (On Campus))
|
Description: |
Southern
Gothic: Intersections of Art and Literature in the Johnson Collection
From Edgar
Allen Poe’s haunting tale of The Gold Bug (1843) to Flannery
O'Connor’s biting short story “Good Country People” (1955), the Southern
Gothic literary tradition has exhumed the American South’s aberrations,
contradictions, and unique sense of dark humor. Drawing exclusively
from the Johnson Collection, Southern Gothic examines how
nineteenth-and twentieth-century artists borrowed from their literary
peers, using a potent visual language to address the tensions between the
South’s idyllic visions and its historical realities.This exhibition is
guest curated by Elizabeth Driscoll Smith, a Ph.D. candidate from the
University California, Santa Barbara, and the Johnson Collection’s 2019
graduate fellow.
September 3 –
December 14, 2019
Richardson
Family Art Museum (upper level) Tuesday, Wednesday, Friday, Saturday - 1 - 5 p.m. Thursdays - 1 - 9 p.m. Exhibit closed on Sunday and Monday
|
Location: |
Richardson Family Art Museum (Upper Level) |
Contact: |
Youmi Efurd
|
|
Saturday, October 26, 2019
|
(All Day)
|
|
(All Day)
|
Fall Hospitality Day #2
(Admission)
|
Description: |
https://begin.wofford.edu/register/FallHospitalityDaySept19 Enjoy an informative day as you tour the campus with Wofford students, attend special interest sessions, and cheer on the Terriers. You will also benefit from the opportunity to meet other high school students and families as they engage in the college search process. Hospitality Days are offered each Fall and Spring.
|
Location: |
Various Locations on Campus |
Contact: |
Mary Carman Jordan
|
|
1:00 PM - 5:00 PM
|
Art Exhibit: Props: Personal Identities in the Portrait Photography of Richard Samuel Roberts, Richardson Family Art Museum (lower level)
(Arts and Cultural (On Campus))
|
Description: |
Props:
Personal identities in the Portrait Photography of Richard Samuel Roberts
The
term “props” brings to mind the objects used in the theater that help establish
the meaning of a scene. In this theater context, the word is shortened from
“properties,” things collectively owned by a theater group. But could the term
also reflect the notion that props show “properties” of a character, offering
layers of information and meaning to a viewer.? “Props” is also a slang term,
meaning “proper respect.” In this show, we analyze the props in photographic
portraits taken by RSR between 1920-1936 to see the way that the “props”—most
often objects chosen by the sitters themselves—tell us something about the
self-identity of the sitters. The objects chosen often underscore the proper
respect due the sitters based on their attainments, but also can give
insights—in an otherwise very formulaic genre—into the inner desires and
predilections of the sitters. Props thus can help us see beyond the surface,
or, perhaps conversely, can reify socially-agreed upon tropes.
September 3 –
December 14, 2019
Richardson
Family Art Museum (lower level)
Exhibit Hours: Tuesday, Wednesday, Friday, Saturday: 1 – 5 p.m.
Thursday: 1 – 9 p.m.
Closed on Sunday and Monday
|
Location: |
Richardson Family Art Museum (lower level) |
Contact: |
Youmi Efurd
|
|
1:00 PM - 5:00 PM
|
Art Exhibit: Siendo mujer: a short study of the female experience in South America, Richardson Family Art Gallery
(Arts and Cultural (On Campus))
|
Description: |
As
the 35th Presidential International Scholar, Lydia Estes attempted to uncover
the visual representation of la mujer, or
the woman, in the South American countries of Chile, Argentina, Uruguay, and
Peru. Siendo mujer means "being a woman", and
this exhibition represents the conversations she shared with resilient,
creative women for whom art plays a significant role in their female
experiences and vice versa--for whom the female experience plays a significant
role in their art.
It
is further a collection of their artwork, also including her own photographs of
them, their spaces, and moments which contribute to the story each is trying to
tell through their work. Her research revealed more questions like, how
are women stereotypically portrayed in their societies? How are female artists
confronting these images through their own artwork, and how are the mediums
they work in an aspect of their protest? And lastly, how will art change the
female experience in future South American societies?
October 17 –
December 20, 2019
Richardson
Family Art Gallery
Exhibit Hours: Tuesday, Wednesday, Friday, Saturday: 1 – 5 p.m.
Thursday: 1 – 9 p.m.
Closed on Sunday and Monday
|
Location: |
Richardson Family Art Gallery |
Contact: |
Youmi Efurd
|
|
1:00 PM - 5:00 PM
|
Art Exhibit: Southern Gothic: Literary Intersection of Art from the Johnson Collection, Richardson Family Art Museum (upper level)
(Arts and Cultural (On Campus))
|
Description: |
From the haunting novels of William
Faulkner to the gritty short stories of Flannery O'Connor, the Southern Gothic
literary tradition has exhumed and examined the American South’s unique
mystery, contradictions, and dark humor. Beginning in the mid-nineteenth
century, American writers, epitomized by Edgar Allan Poe and Nathaniel
Hawthorne, sought to reinterpret the Gothic imagination of their European
counterparts, dramatizing the cultures and characters of a region in the midst
of civil war and its tumultuous aftermath. Decades later, a new generation of
authors—including Tennessee Williams, Carson McCullers, and Toni Morrison—wove
Gothic elements into their own narratives, exploring the complexities of a changing
social terrain and the ancient spirits that linger in its corners.
With works drawn exclusively from the
Johnson Collection, Southern Gothic illuminates how nineteenth- and
twentieth-century artists employed a potent visual language to transcribe the
tensions between the South’s idyllic aura and its historical realities. Often
described as a mood or sensibility rather than a strict set of thematic or
technical conventions, features of the Southern Gothic can include horror,
romance, and the supernatural. While academic painters such as Charles Fraser
and Thomas Noble conveyed the genre’s gloomy tonalities in their canvases,
Aaron Douglas and Harry Hoffman grappled with the injustices of a modern world.
Other artists, including Alexander Brook and Eugene Thomason, investigated
prevailing stereotypes of rural Southerners—a trope often accentuated in
Southern Gothic literature. Collectively, these images demonstrate that
definitions of the Gothic are neither monolithic nor momentary, inviting us,
instead to contemplate how the Southern Gothic legacy continues to inform our
understanding of the American South.
September 3 –
December 14, 2019
Richardson
Family Art Museum (upper level) Tuesday, Wednesday, Friday and Saturday: 1 - 5 p.m. Thursday: 1 - 9 p.m. Closed on Sunday and Monday
|
Location: |
Richardson Family Art Museum (Upper Level) |
Contact: |
Youmi Efurd
|
|
5:00 PM
|
Family Weekend Concert: Salute to Broadway, Leonard Auditorium
(multiple cals)
|
Description: |
Salute to Broadway! Join the Music Department Choral groups
Saturday after the game on the Steps of Old Main as they present hits from each
decade of Broadway musicals. The concert is free and open to the public. Rain
location-Leonard Auditorium
|
Location: |
Leonard Auditorium |
Contact: |
Christi Sellars
|
|
 |
 |
|