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Sunday, September 30, 2018
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2:00 PM - 4:00 PM
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4:00 PM - 4:30 PM
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4:30 PM - 5:00 PM
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5:00 PM - 5:30 PM
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Monday, October 1, 2018
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(All Day)
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Learning Work internship priority deadline
(Academic)
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Description: |
The priority deadline for proposals for this January's Learning Work internship program (JAN 389) is by 11:59PM this evening (October 1st.) While proposals will continue to be accepted from October 2nd through October 15th, those students are not guaranteed a spot in the interim. No proposals received after Monday, October 15th will be considered. The main information page that takes you to the application form is found here: http://www.wofford.edu/interim/InternshipInterims/ Students who have any questions should contact Dr. Anderson (Interim Coordinator).
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Contact: |
A. K. Anderson
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(All Day)
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11:00 AM
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Study Abroad Orientation (Nuts & Bolts), Anna Todd Wofford Center
(Academic)
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Description: |
This orientation is for students studying abroad in Spring 2019 regarding general preparations for international travel, such as: banking, flights, packing, and other logistical matters. Returned study abroad students will also be present to share insights and suggestions with current applicants. All Spring 2019 study abroad students are required to attend.
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Location: |
Anna Todd Wofford Center |
Contact: |
International Programs
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4:30 PM - 5:30 PM
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5:15 PM - 6:30 PM
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5:30 PM - 6:00 PM
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6:00 PM - 6:30 PM
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6:00 PM
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6:30 PM - 7:00 PM
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7:00 PM - 7:30 PM
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7:30 PM - 8:00 PM
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Tuesday, October 2, 2018
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11:00 AM - 1:00 PM
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Suzette Walden Cole: It’s Everybody’s Job: Building Safer Communities, Leonard Auditorium
(Student Life)
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Description: |
It’s terrible, but it’s true: be it an average Friday night at someone’s apartment or an officially sponsored chapter or organization event, situations manifest where individuals are placed at risk – either by personal choice, or the actions of others. When those situations arise, it’s critical that our communities be prepared to protect one another. If we want to build a safer community against sexual violence and misconduct, then it is imperative that we provide students with the proper education to recognize and step in when they witness someone at risk. In this keynote, Suzette focuses on framing the conversation that is truly relatable for students so that they make real changes in their actions. Unfortunately, many students can’t recognize the signs of a situation wherein someone is a risk, leading to them either not realizing the risk at all or feeling too insecure to step in. Suzette helps by giving students the training they need to step in when they sense someone is in danger confidently. She teaches students the skills that they need to be proactive, aware community members, and help to bring an end to sexual assault and misconduct.
http://campuspeak.com/speaker/suzette-walden-cole/
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Location: |
Leonard Auditorium |
Contact: |
Demario Watts
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11:30 AM - 12:30 PM
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1:00 PM - 5:00 PM
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Art Exhibit: Scenic Impressions: Southern Interpretations from the Johnson Collection, Richardson Family Art Museum, upper level
(Arts and Cultural (On Campus))
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Description: |
Scenic Impressions: Southern Interpretations from the Johnson
Collection showcases forty-one artists—both native Southerners who recorded
their own region and distant places, and others who were transitory visitors or
seasonal residents. The result is a varied assortment of individual approaches,
and, in the words of the popular American Impressionist Childe Hassam, “some
things that are charming.”Many of the painters on viewembraced the central tenets of
Impressionism: light-filled natural settings loosely painted in high-key colors
with visible brushstrokes; fluidity of form; and an emphasis on atmospheric
transience. A “scenic impression” is the evocation of something seen, rather
than its literal transcription. In terms of subject matter, it is most
frequently a landscape, but it can also extend to a figurative composition set
outdoors. The artist’s experience—his or her impression of the scene at
hand—is paramount. The earliest paintings in the exhibition date from the 1880s and
illustrate a Barbizon-inspired aesthetic consisting of dark tones and simple
landscapes. Other works postdate Impressionism and display greater concern for
expression and form, along with an awareness of the picture plane.
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Location: |
Richardson Family Art Museum, upper level |
Contact: |
Youmi Efurd
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1:00 PM - 5:00 PM
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Exhibit: The Richardson Family Art Gallery features the works by Kaye Savage and Colleen Balance
(Arts and Cultural (On Campus))
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Description: |
Kaye Savage, interested in chemical,
physical, and biological interactions across different scales of time and
space, in Earth’s surficial environments, presents both
place-based, incorporating terrain patterns and natural materials from sites
that she explores, and data-based, depicting patterns observed
by herself or by scientists that she meets in the field, as graphic
elements. Her pieces engage with locations from the Blue Ridge to the South
Carolina coast.
For Ballance, It has been more than a
bit of a stretch to return to her roots as an artist and attempt to create work
not based on theatrical text. However, once she worked with her
watercolor guru, and traveled to Morocco and southern Spain to further her MENA
studies, she was fortunate to find the inspiration she needed. The Saharan sand
of Erg Chebbi and the miraculous decorative tile motifs at the Alhambra and
madrasas of Fes provided her the mental freshness and soul touching spark to
produce what viewers can find in her works.
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Location: |
Richardson Family Art Gallery |
Contact: |
Youmi Efurd
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1:00 PM - 5:00 PM
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Exhibit: Japanese Art of the Edo and Meiji Eras, Richardson Family Art Museum, lower level
(Arts and Cultural (On Campus))
|
Description: |
Japanese
Art of the Edo and Meiji Eras (1603-1912) displays a variety of cultural expressions of
Japan, including tea ceremony implements, woodblock prints, porcelains, and ink
paintings. The Edo Period (1603-1868), named after the Shogun capital, is
one of the most prosperous and thriving in the history of Japanese art.
The political stability established by the Tokugawa family prompted an increase
in artistic, cultural and social development, with flourishing and distinctive
aesthetics represented in paintings, ceramics, woodblock prints and decorative
arts. The Meiji Period (1868-1912), an era of radical social and
political change from feudalism to modernity and adopted Western influences,
witnessed a blending of cultures and an innovative interchange of old ideas and
new in Japanese art. This exhibition intends to further enhance scholarly
research for students in ARTH 322 Art of Japan, and several of the labels in
this exhibition will be written by students. Featured
works are loaned from the Shiro Kuma Collection of Edwin and Rhena Symmes in
Atlanta, GA, from the Edmund Daniel Kinzinger (1888-1963) Collection of Japanese Prints loaned by
David and Barbara Goist in Asheville, NC, and from the collection of Dr. and Mrs. Hunter Stokes ('60) in Florence, SC.
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Location: |
Richardson Family Art Museum, Lower Level |
Contact: |
Youmi Efurd
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4:30 PM - 5:00 PM
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5:00 PM - 5:30 PM
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5:30 PM - 6:00 PM
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5:30 PM - 7:30 PM
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6:00 PM - 6:30 PM
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6:30 PM - 8:30 PM
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9:00 PM - 11:00 PM
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Wednesday, October 3, 2018
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12:30 PM - 1:00 PM
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1:00 PM - 5:00 PM
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Art Exhibit: Scenic Impressions: Southern Interpretations from the Johnson Collection, Richardson Family Art Museum, upper level
(Arts and Cultural (On Campus))
|
Description: |
Scenic Impressions: Southern Interpretations from the Johnson
Collection showcases forty-one artists—both native Southerners who recorded
their own region and distant places, and others who were transitory visitors or
seasonal residents. The result is a varied assortment of individual approaches,
and, in the words of the popular American Impressionist Childe Hassam, “some
things that are charming.”Many of the painters on viewembraced the central tenets of
Impressionism: light-filled natural settings loosely painted in high-key colors
with visible brushstrokes; fluidity of form; and an emphasis on atmospheric
transience. A “scenic impression” is the evocation of something seen, rather
than its literal transcription. In terms of subject matter, it is most
frequently a landscape, but it can also extend to a figurative composition set
outdoors. The artist’s experience—his or her impression of the scene at
hand—is paramount. The earliest paintings in the exhibition date from the 1880s and
illustrate a Barbizon-inspired aesthetic consisting of dark tones and simple
landscapes. Other works postdate Impressionism and display greater concern for
expression and form, along with an awareness of the picture plane.
|
Location: |
Richardson Family Art Museum, upper level |
Contact: |
Youmi Efurd
|
|
1:00 PM - 5:00 PM
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Exhibit: The Richardson Family Art Gallery features the works by Kaye Savage and Colleen Balance
(Arts and Cultural (On Campus))
|
Description: |
Kaye Savage, interested in chemical,
physical, and biological interactions across different scales of time and
space, in Earth’s surficial environments, presents both
place-based, incorporating terrain patterns and natural materials from sites
that she explores, and data-based, depicting patterns observed
by herself or by scientists that she meets in the field, as graphic
elements. Her pieces engage with locations from the Blue Ridge to the South
Carolina coast.
For Ballance, It has been more than a
bit of a stretch to return to her roots as an artist and attempt to create work
not based on theatrical text. However, once she worked with her
watercolor guru, and traveled to Morocco and southern Spain to further her MENA
studies, she was fortunate to find the inspiration she needed. The Saharan sand
of Erg Chebbi and the miraculous decorative tile motifs at the Alhambra and
madrasas of Fes provided her the mental freshness and soul touching spark to
produce what viewers can find in her works.
|
Location: |
Richardson Family Art Gallery |
Contact: |
Youmi Efurd
|
|
1:00 PM - 5:00 PM
|
Exhibit: Japanese Art of the Edo and Meiji Eras, Richardson Family Art Museum, lower level
(Arts and Cultural (On Campus))
|
Description: |
Japanese
Art of the Edo and Meiji Eras (1603-1912) displays a variety of cultural expressions of
Japan, including tea ceremony implements, woodblock prints, porcelains, and ink
paintings. The Edo Period (1603-1868), named after the Shogun capital, is
one of the most prosperous and thriving in the history of Japanese art.
The political stability established by the Tokugawa family prompted an increase
in artistic, cultural and social development, with flourishing and distinctive
aesthetics represented in paintings, ceramics, woodblock prints and decorative
arts. The Meiji Period (1868-1912), an era of radical social and
political change from feudalism to modernity and adopted Western influences,
witnessed a blending of cultures and an innovative interchange of old ideas and
new in Japanese art. This exhibition intends to further enhance scholarly
research for students in ARTH 322 Art of Japan, and several of the labels in
this exhibition will be written by students. Featured works are loaned from the Shiro Kuma Collection of Edwin and Rhena Symmes in Atlanta, GA, from the Edmund Daniel Kinzinger (1888-1963) Collection of Japanese Prints loaned by David and Barbara Goist in Asheville, NC, and from the collection of Dr. and Mrs. Hunter Stokes ('60) in Florence, SC.
|
Location: |
Richardson Family Art Museum, Lower Level |
Contact: |
Youmi Efurd
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4:30 PM - 5:30 PM
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5:30 PM - 6:00 PM
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6:00 PM - 6:30 PM
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6:30 PM - 7:00 PM
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7:00 PM - 7:30 PM
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Thursday, October 4, 2018
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11:00 AM - 12:30 PM
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11:30 AM - 12:30 PM
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1:00 PM - 9:00 PM
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Art Exhibit: Scenic Impressions: Southern Interpretations from the Johnson Collection, Richardson Family Art Museum, upper level
(Arts and Cultural (On Campus))
|
Description: |
Scenic Impressions: Southern Interpretations from the Johnson
Collection showcases forty-one artists—both native Southerners who recorded
their own region and distant places, and others who were transitory visitors or
seasonal residents. The result is a varied assortment of individual approaches,
and, in the words of the popular American Impressionist Childe Hassam, “some
things that are charming.”Many of the painters on viewembraced the central tenets of
Impressionism: light-filled natural settings loosely painted in high-key colors
with visible brushstrokes; fluidity of form; and an emphasis on atmospheric
transience. A “scenic impression” is the evocation of something seen, rather
than its literal transcription. In terms of subject matter, it is most
frequently a landscape, but it can also extend to a figurative composition set
outdoors. The artist’s experience—his or her impression of the scene at
hand—is paramount. The earliest paintings in the exhibition date from the 1880s and
illustrate a Barbizon-inspired aesthetic consisting of dark tones and simple
landscapes. Other works postdate Impressionism and display greater concern for
expression and form, along with an awareness of the picture plane.
|
Location: |
Richardson Family Art Museum, upper level |
Contact: |
Youmi Efurd
|
|
1:00 PM - 9:00 PM
|
Exhibit: The Richardson Family Art Gallery features the works by Kaye Savage and Colleen Balance
(Arts and Cultural (On Campus))
|
Description: |
Kaye Savage, interested in chemical,
physical, and biological interactions across different scales of time and
space, in Earth’s surficial environments, presents both
place-based, incorporating terrain patterns and natural materials from sites
that she explores, and data-based, depicting patterns observed
by herself or by scientists that she meets in the field, as graphic
elements. Her pieces engage with locations from the Blue Ridge to the South
Carolina coast.
For Ballance, It has been more than a
bit of a stretch to return to her roots as an artist and attempt to create work
not based on theatrical text. However, once she worked with her
watercolor guru, and traveled to Morocco and southern Spain to further her MENA
studies, she was fortunate to find the inspiration she needed. The Saharan sand
of Erg Chebbi and the miraculous decorative tile motifs at the Alhambra and
madrasas of Fes provided her the mental freshness and soul touching spark to
produce what viewers can find in her works.
|
Location: |
Richardson Family Art Gallery |
Contact: |
Youmi Efurd
|
|
1:00 PM - 9:00 PM
|
Exhibit: Japanese Art of the Edo and Meiji Eras, Richardson Family Art Museum, lower level
(Arts and Cultural (On Campus))
|
Description: |
Japanese
Art of the Edo and Meiji Eras (1603-1912) displays a variety of cultural expressions of
Japan, including tea ceremony implements, woodblock prints, porcelains, and ink
paintings. The Edo Period (1603-1868), named after the Shogun capital, is
one of the most prosperous and thriving in the history of Japanese art.
The political stability established by the Tokugawa family prompted an increase
in artistic, cultural and social development, with flourishing and distinctive
aesthetics represented in paintings, ceramics, woodblock prints and decorative
arts. The Meiji Period (1868-1912), an era of radical social and
political change from feudalism to modernity and adopted Western influences,
witnessed a blending of cultures and an innovative interchange of old ideas and
new in Japanese art. This exhibition intends to further enhance scholarly
research for students in ARTH 322 Art of Japan, and several of the labels in
this exhibition will be written by students. Featured works are loaned from the Shiro Kuma Collection of Edwin and Rhena Symmes in Atlanta, GA, from the Edmund Daniel Kinzinger (1888-1963) Collection of Japanese Prints loaned by David and Barbara Goist in Asheville, NC, and from the collection of Dr. and Mrs. Hunter Stokes ('60) in Florence, SC.
|
Location: |
Richardson Family Art Museum, Lower Level |
Contact: |
Youmi Efurd
|
|
4:00 PM - 5:00 PM
|
|
4:30 PM - 5:00 PM
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|
5:00 PM - 5:30 PM
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5:30 PM - 6:00 PM
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6:00 PM - 6:30 PM
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6:00 PM - 7:00 PM
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Humans of Wofford, RSRCA 125
(Student Life)
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Description: |
Come and listen to the fascinating story of a fellow
Terrier and Student Body President! The Association of Multicultural Students
have brought Mr. Fredy Madrid '20 to discuss his story of the transition from
Honduras to the United States.
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Location: |
RSRCA 125 |
Contact: |
Bryson Coleman
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6:00 PM - 7:00 PM
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WoCoSmile-Campus Life
(Student Life)
|
Description: |
Join WoCoGive in a First 54 event to help us write encouraging notes to your peers as we get ready to go through midterms!
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Location: |
Campus Life |
Contact: |
Cady Elizabeth Barthe
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6:30 PM - 8:30 PM
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8:00 PM - 9:30 PM
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Knitty Gritty Meeting, McMillan Theater
(Student Life)
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Description: |
Join us for our first meeting and learn how some basics of knitting and crocheting! We will watch a movie while we use our skills. If you don't have needles or hooks, we have some for you!
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Location: |
McMillan Theater |
Contact: |
Erin Bedenbaugh
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Friday, October 5, 2018
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1:00 PM - 5:00 PM
|
Art Exhibit: Scenic Impressions: Southern Interpretations from the Johnson Collection, Richardson Family Art Museum, upper level
(Arts and Cultural (On Campus))
|
Description: |
Scenic Impressions: Southern Interpretations from the Johnson
Collection showcases forty-one artists—both native Southerners who recorded
their own region and distant places, and others who were transitory visitors or
seasonal residents. The result is a varied assortment of individual approaches,
and, in the words of the popular American Impressionist Childe Hassam, “some
things that are charming.”Many of the painters on viewembraced the central tenets of
Impressionism: light-filled natural settings loosely painted in high-key colors
with visible brushstrokes; fluidity of form; and an emphasis on atmospheric
transience. A “scenic impression” is the evocation of something seen, rather
than its literal transcription. In terms of subject matter, it is most
frequently a landscape, but it can also extend to a figurative composition set
outdoors. The artist’s experience—his or her impression of the scene at
hand—is paramount. The earliest paintings in the exhibition date from the 1880s and
illustrate a Barbizon-inspired aesthetic consisting of dark tones and simple
landscapes. Other works postdate Impressionism and display greater concern for
expression and form, along with an awareness of the picture plane.
|
Location: |
Richardson Family Art Museum, upper level |
Contact: |
Youmi Efurd
|
|
1:00 PM - 5:00 PM
|
Exhibit: The Richardson Family Art Gallery features the works by Kaye Savage and Colleen Balance
(Arts and Cultural (On Campus))
|
Description: |
Kaye Savage, interested in chemical,
physical, and biological interactions across different scales of time and
space, in Earth’s surficial environments, presents both
place-based, incorporating terrain patterns and natural materials from sites
that she explores, and data-based, depicting patterns observed
by herself or by scientists that she meets in the field, as graphic
elements. Her pieces engage with locations from the Blue Ridge to the South
Carolina coast.
For Ballance, It has been more than a
bit of a stretch to return to her roots as an artist and attempt to create work
not based on theatrical text. However, once she worked with her
watercolor guru, and traveled to Morocco and southern Spain to further her MENA
studies, she was fortunate to find the inspiration she needed. The Saharan sand
of Erg Chebbi and the miraculous decorative tile motifs at the Alhambra and
madrasas of Fes provided her the mental freshness and soul touching spark to
produce what viewers can find in her works.
|
Location: |
Richardson Family Art Gallery |
Contact: |
Youmi Efurd
|
|
1:00 PM - 5:00 PM
|
Exhibit: Japanese Art of the Edo and Meiji Eras, Richardson Family Art Museum, lower level
(Arts and Cultural (On Campus))
|
Description: |
Japanese
Art of the Edo and Meiji Eras (1603-1912) displays a variety of cultural expressions of
Japan, including tea ceremony implements, woodblock prints, porcelains, and ink
paintings. The Edo Period (1603-1868), named after the Shogun capital, is
one of the most prosperous and thriving in the history of Japanese art.
The political stability established by the Tokugawa family prompted an increase
in artistic, cultural and social development, with flourishing and distinctive
aesthetics represented in paintings, ceramics, woodblock prints and decorative
arts. The Meiji Period (1868-1912), an era of radical social and
political change from feudalism to modernity and adopted Western influences,
witnessed a blending of cultures and an innovative interchange of old ideas and
new in Japanese art. This exhibition intends to further enhance scholarly
research for students in ARTH 322 Art of Japan, and several of the labels in
this exhibition will be written by students. Featured works are loaned from the Shiro Kuma Collection of Edwin and Rhena Symmes in Atlanta, GA, from the Edmund Daniel Kinzinger (1888-1963) Collection of Japanese Prints loaned by David and Barbara Goist in Asheville, NC, and from the collection of Dr. and Mrs. Hunter Stokes ('60) in Florence, SC.
|
Location: |
Richardson Family Art Museum, Lower Level |
Contact: |
Youmi Efurd
|
|
3:00 PM - 4:00 PM
|
|
4:00 PM - 4:30 PM
|
|
4:30 PM - 5:00 PM
|
|
5:00 PM - 5:30 PM
|
|
5:30 PM - 6:00 PM
|
|
7:00 PM - 8:30 PM
|
Egedege & Sweat, Richardson Dance Studio
(Student Life)
|
Description: |
Come learn a traditional Igbo dance style, Egedege, in honor of Nigeria's independence! There will be snacks, door prizes and great people. Please come out for an epic Friday night.
|
Location: |
Richardson Dance Studio |
Contact: |
Nneka Mogbo
|
|
Saturday, October 6, 2018
|
11:00 AM - 11:30 AM
|
|
11:30 AM - Noon
|
|
1:00 PM - 5:00 PM
|
Art Exhibit: Scenic Impressions: Southern Interpretations from the Johnson Collection, Richardson Family Art Museum, upper level
(Arts and Cultural (On Campus))
|
Description: |
Scenic Impressions: Southern Interpretations from the Johnson
Collection showcases forty-one artists—both native Southerners who recorded
their own region and distant places, and others who were transitory visitors or
seasonal residents. The result is a varied assortment of individual approaches,
and, in the words of the popular American Impressionist Childe Hassam, “some
things that are charming.”Many of the painters on viewembraced the central tenets of
Impressionism: light-filled natural settings loosely painted in high-key colors
with visible brushstrokes; fluidity of form; and an emphasis on atmospheric
transience. A “scenic impression” is the evocation of something seen, rather
than its literal transcription. In terms of subject matter, it is most
frequently a landscape, but it can also extend to a figurative composition set
outdoors. The artist’s experience—his or her impression of the scene at
hand—is paramount. The earliest paintings in the exhibition date from the 1880s and
illustrate a Barbizon-inspired aesthetic consisting of dark tones and simple
landscapes. Other works postdate Impressionism and display greater concern for
expression and form, along with an awareness of the picture plane.
|
Location: |
Richardson Family Art Museum, upper level |
Contact: |
Youmi Efurd
|
|
1:00 PM - 5:00 PM
|
Exhibit: The Richardson Family Art Gallery features the works by Kaye Savage and Colleen Balance
(Arts and Cultural (On Campus))
|
Description: |
Kaye Savage, interested in chemical,
physical, and biological interactions across different scales of time and
space, in Earth’s surficial environments, presents both
place-based, incorporating terrain patterns and natural materials from sites
that she explores, and data-based, depicting patterns observed
by herself or by scientists that she meets in the field, as graphic
elements. Her pieces engage with locations from the Blue Ridge to the South
Carolina coast.
For Ballance, It has been more than a
bit of a stretch to return to her roots as an artist and attempt to create work
not based on theatrical text. However, once she worked with her
watercolor guru, and traveled to Morocco and southern Spain to further her MENA
studies, she was fortunate to find the inspiration she needed. The Saharan sand
of Erg Chebbi and the miraculous decorative tile motifs at the Alhambra and
madrasas of Fes provided her the mental freshness and soul touching spark to
produce what viewers can find in her works.
|
Location: |
Richardson Family Art Gallery |
Contact: |
Youmi Efurd
|
|
1:00 PM - 5:00 PM
|
Exhibit: Japanese Art of the Edo and Meiji Eras, Richardson Family Art Museum, lower level
(Arts and Cultural (On Campus))
|
Description: |
Japanese
Art of the Edo and Meiji Eras (1603-1912) displays a variety of cultural expressions of
Japan, including tea ceremony implements, woodblock prints, porcelains, and ink
paintings. The Edo Period (1603-1868), named after the Shogun capital, is
one of the most prosperous and thriving in the history of Japanese art.
The political stability established by the Tokugawa family prompted an increase
in artistic, cultural and social development, with flourishing and distinctive
aesthetics represented in paintings, ceramics, woodblock prints and decorative
arts. The Meiji Period (1868-1912), an era of radical social and
political change from feudalism to modernity and adopted Western influences,
witnessed a blending of cultures and an innovative interchange of old ideas and
new in Japanese art. This exhibition intends to further enhance scholarly
research for students in ARTH 322 Art of Japan, and several of the labels in
this exhibition will be written by students. Featured works are loaned from the Shiro Kuma Collection of Edwin and Rhena Symmes in Atlanta, GA, from the Edmund Daniel Kinzinger (1888-1963) Collection of Japanese Prints loaned by David and Barbara Goist in Asheville, NC, and from the collection of Dr. and Mrs. Hunter Stokes ('60) in Florence, SC.
|
Location: |
Richardson Family Art Museum, Lower Level |
Contact: |
Youmi Efurd
|
|
7:00 PM - 9:00 PM
|
|
 |
 |
|