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Monday, October 22, 2018
Noon - 1:00 PM
Faculty Talk Series, Gray-Jones Room (Academic)
Description:

Dr. Bill DeMars (Government and International Affairs) will present, "Political Deliberation in The Fellowship of the Ring"

Abstract: In The Lord of the Rings novels, scenes of political deliberation—discussing and deciding what must be done to achieve a collective goal—are many and long. However, these scenes are neglected in both the massive Tolkien literature and the Peter Jackson films. This talk focuses on The Fellowship of the Ring, including hobbit decision making, formation of the Fellowship, and the problem of Tom Bombadil. Lunch provided for faculty attendees. Just tell the AVI folks that you are a part of the Faculty Talk Series. 


 


Location: Gray-Jones Room, Burwell Building
Contact: Nancy Williams
6:00 PM
Campus Union Meeting, Olin 101 (Student Life)
Location: Olin Building, Olin Rm. 101
Contact: Beth Clardy
7:15 PM
Alex Tuchman - The Honey Bee Crisis, Olin 101 (Academic)
Description: Join Environmental studies, Biology, and Physics to learn all about the plight of the honeybee and what can be done by beekeepers, gardeners, & community members to restore the honeybees and all pollinators to health, vibrancy, and vitality.
Location: Olin 101
Contact: Dr. Carolyn Martsberger
Tuesday, October 23, 2018
11:00 AM - 11:55 AM
Post-graduate Scholarship Information Session for all students, Main 122 (Academic)
Description: Dr. Cissy Fowler and Dr. Kirsten Krick-Aigner will give students an overview of post-graduate scholarships available to students, such as Fulbright Teaching Assistantships, Rhodes, Marshall, Mitchell, and other scholarships. First-, Second-, and Third-year students are especially welcome to attend! All students welcome!
Location: Old Main 122
Contact: Kirsten Krick-Aigner
11:30 AM - 12:50 PM
Book club for faculty and staff: White fragility by Robin DiAngelo, Gray-Jones Room (Academic)
Description: As part of the Inclusive Pedagogy Book Club series, we will be discussing a second day the book White Fragility by Robin DiAngelo.  This acclaimed sociologist will be at Wofford on October 16 and 17. Dr. Rhiannon Leebrick will be leading this meeting. All faculty and staff are welcome to join. Please contact Begońa Caballero-Garcia if you would like a copy of the book. Free lunch for all attendees. 

 https://robindiangelo.com/ 
Location: Gray-Jones (Burwell downstairs)- Free food
Contact: Begona Caballero-Garcia
1:00 PM - 5:00 PM
Art Exhibit: Scenic Impressions: Southern Interpretations from the Johnson Collection, Richardson Family Art Museum, upper level (Arts and Cultural (On Campus))
Description:

Scenic Impressions: Southern Interpretations from the Johnson Collection showcases forty-one artists—both native Southerners who recorded their own region and distant places, and others who were transitory visitors or seasonal residents. The result is a varied assortment of individual approaches, and, in the words of the popular American Impressionist Childe Hassam, “some things that are charming.Many of the painters on viewembraced the central tenets of Impressionism: light-filled natural settings loosely painted in high-key colors with visible brushstrokes; fluidity of form; and an emphasis on atmospheric transience. A “scenic impression” is the evocation of something seen, rather than its literal transcription. In terms of subject matter, it is most frequently a landscape, but it can also extend to a figurative composition set outdoors. The artist’s experience—his or her impression of the scene at hand—is paramount. The earliest paintings in the exhibition date from the 1880s and illustrate a Barbizon-inspired aesthetic consisting of dark tones and simple landscapes. Other works postdate Impressionism and display greater concern for expression and form, along with an awareness of the picture plane. 

Location: Richardson Family Art Museum, upper level
Contact: Youmi Efurd
1:00 PM - 5:00 PM
Exhibit: The Richardson Family Art Gallery features the works by Kaye Savage and Colleen Balance (Arts and Cultural (On Campus))
Description:

Kaye Savage, interested in chemical, physical, and biological interactions across different scales of time and space, in Earth’s surficial environments, presents both place-based, incorporating terrain patterns and natural materials from sites that she explores, and data-based, depicting patterns observed by herself  or by scientists that she meets in the field, as graphic elements. Her pieces engage with locations from the Blue Ridge to the South Carolina coast. 

For Ballance, It has been more than a bit of a stretch to return to her roots as an artist and attempt to create work not based on theatrical text.  However, once she worked with her watercolor guru, and traveled to Morocco and southern Spain to further her MENA studies, she was fortunate to find the inspiration she needed. The Saharan sand of Erg Chebbi and the miraculous decorative tile motifs at the Alhambra and madrasas of Fes provided her the mental freshness and soul touching spark to produce what viewers can find in her works.  

Location: Richardson Family Art Gallery
Contact: Youmi Efurd
1:00 PM - 5:00 PM
Exhibit: Japanese Art of the Edo and Meiji Eras, Richardson Family Art Museum, lower level (Arts and Cultural (On Campus))
Description:

Japanese Art of the Edo and Meiji Eras (1603-1912) displays a variety of cultural expressions of Japan, including tea ceremony implements, woodblock prints, porcelains, and ink paintings.  The Edo Period (1603-1868), named after the Shogun capital, is one of the most prosperous and thriving in the history of Japanese art.  The political stability established by the Tokugawa family prompted an increase in artistic, cultural and social development, with flourishing and distinctive aesthetics represented in paintings, ceramics, woodblock prints and decorative arts.  The Meiji Period (1868-1912), an era of radical social and political change from feudalism to modernity and adopted Western influences, witnessed a blending of cultures and an innovative interchange of old ideas and new in Japanese art.  This exhibition intends to further enhance scholarly research for students in ARTH 322 Art of Japan, and several of the labels in this exhibition will be written by students. Featured works are loaned from the Shiro Kuma Collection of Edwin and Rhena Symmes in Atlanta, GA, from the Edmund Daniel Kinzinger (1888-1963) Collection of Japanese Prints loaned by David and Barbara Goist in Asheville, NC, and from the collection of Dr. and Mrs. Hunter Stokes ('60) in Florence, SC.  

Location: Richardson Family Art Museum, Lower Level
Contact: Youmi Efurd
Wednesday, October 24, 2018
1:00 PM - 5:00 PM
Art Exhibit: Scenic Impressions: Southern Interpretations from the Johnson Collection, Richardson Family Art Museum, upper level (Arts and Cultural (On Campus))
Description:

Scenic Impressions: Southern Interpretations from the Johnson Collection showcases forty-one artists—both native Southerners who recorded their own region and distant places, and others who were transitory visitors or seasonal residents. The result is a varied assortment of individual approaches, and, in the words of the popular American Impressionist Childe Hassam, “some things that are charming.Many of the painters on viewembraced the central tenets of Impressionism: light-filled natural settings loosely painted in high-key colors with visible brushstrokes; fluidity of form; and an emphasis on atmospheric transience. A “scenic impression” is the evocation of something seen, rather than its literal transcription. In terms of subject matter, it is most frequently a landscape, but it can also extend to a figurative composition set outdoors. The artist’s experience—his or her impression of the scene at hand—is paramount. The earliest paintings in the exhibition date from the 1880s and illustrate a Barbizon-inspired aesthetic consisting of dark tones and simple landscapes. Other works postdate Impressionism and display greater concern for expression and form, along with an awareness of the picture plane. 

Location: Richardson Family Art Museum, upper level
Contact: Youmi Efurd
1:00 PM - 5:00 PM
Exhibit: The Richardson Family Art Gallery features the works by Kaye Savage and Colleen Balance (Arts and Cultural (On Campus))
Description:

Kaye Savage, interested in chemical, physical, and biological interactions across different scales of time and space, in Earth’s surficial environments, presents both place-based, incorporating terrain patterns and natural materials from sites that she explores, and data-based, depicting patterns observed by herself  or by scientists that she meets in the field, as graphic elements. Her pieces engage with locations from the Blue Ridge to the South Carolina coast. 

For Ballance, It has been more than a bit of a stretch to return to her roots as an artist and attempt to create work not based on theatrical text.  However, once she worked with her watercolor guru, and traveled to Morocco and southern Spain to further her MENA studies, she was fortunate to find the inspiration she needed. The Saharan sand of Erg Chebbi and the miraculous decorative tile motifs at the Alhambra and madrasas of Fes provided her the mental freshness and soul touching spark to produce what viewers can find in her works.  

Location: Richardson Family Art Gallery
Contact: Youmi Efurd
1:00 PM - 5:00 PM
Exhibit: Japanese Art of the Edo and Meiji Eras, Richardson Family Art Museum, lower level (Arts and Cultural (On Campus))
Description:

Japanese Art of the Edo and Meiji Eras (1603-1912) displays a variety of cultural expressions of Japan, including tea ceremony implements, woodblock prints, porcelains, and ink paintings.  The Edo Period (1603-1868), named after the Shogun capital, is one of the most prosperous and thriving in the history of Japanese art.  The political stability established by the Tokugawa family prompted an increase in artistic, cultural and social development, with flourishing and distinctive aesthetics represented in paintings, ceramics, woodblock prints and decorative arts.  The Meiji Period (1868-1912), an era of radical social and political change from feudalism to modernity and adopted Western influences, witnessed a blending of cultures and an innovative interchange of old ideas and new in Japanese art.  This exhibition intends to further enhance scholarly research for students in ARTH 322 Art of Japan, and several of the labels in this exhibition will be written by students. Featured works are loaned from the Shiro Kuma Collection of Edwin and Rhena Symmes in Atlanta, GA, from the Edmund Daniel Kinzinger (1888-1963) Collection of Japanese Prints loaned by David and Barbara Goist in Asheville, NC, and from the collection of Dr. and Mrs. Hunter Stokes ('60) in Florence, SC.

Location: Richardson Family Art Museum, Lower Level
Contact: Youmi Efurd
Thursday, October 25, 2018
11:30 AM - 1:00 PM
Terrier Talk –The Liberal Arts Experience, The Space (Other)
Description:

Come hear two Wofford graduates talk about their journey from Wofford to MUSC.  Katrina Kuhns (Sociology/Philosophy) and Ben Reynolds (Religion) will share advice and thoughts on how their training in the liberal arts helped guide them.  Katrina currently serves as the Chief Revenue Officer for MUSC Health and Ben works in Institutional Effectiveness f

Location: The Space
Contact: Curt McPhail
1:00 PM - 9:00 PM
Art Exhibit: Scenic Impressions: Southern Interpretations from the Johnson Collection, Richardson Family Art Museum, upper level (Arts and Cultural (On Campus))
Description:

Scenic Impressions: Southern Interpretations from the Johnson Collection showcases forty-one artists—both native Southerners who recorded their own region and distant places, and others who were transitory visitors or seasonal residents. The result is a varied assortment of individual approaches, and, in the words of the popular American Impressionist Childe Hassam, “some things that are charming.Many of the painters on viewembraced the central tenets of Impressionism: light-filled natural settings loosely painted in high-key colors with visible brushstrokes; fluidity of form; and an emphasis on atmospheric transience. A “scenic impression” is the evocation of something seen, rather than its literal transcription. In terms of subject matter, it is most frequently a landscape, but it can also extend to a figurative composition set outdoors. The artist’s experience—his or her impression of the scene at hand—is paramount. The earliest paintings in the exhibition date from the 1880s and illustrate a Barbizon-inspired aesthetic consisting of dark tones and simple landscapes. Other works postdate Impressionism and display greater concern for expression and form, along with an awareness of the picture plane. 

Location: Richardson Family Art Museum, upper level
Contact: Youmi Efurd
1:00 PM - 9:00 PM
Exhibit: The Richardson Family Art Gallery features the works by Kaye Savage and Colleen Balance (Arts and Cultural (On Campus))
Description:

Kaye Savage, interested in chemical, physical, and biological interactions across different scales of time and space, in Earth’s surficial environments, presents both place-based, incorporating terrain patterns and natural materials from sites that she explores, and data-based, depicting patterns observed by herself  or by scientists that she meets in the field, as graphic elements. Her pieces engage with locations from the Blue Ridge to the South Carolina coast. 

For Ballance, It has been more than a bit of a stretch to return to her roots as an artist and attempt to create work not based on theatrical text.  However, once she worked with her watercolor guru, and traveled to Morocco and southern Spain to further her MENA studies, she was fortunate to find the inspiration she needed. The Saharan sand of Erg Chebbi and the miraculous decorative tile motifs at the Alhambra and madrasas of Fes provided her the mental freshness and soul touching spark to produce what viewers can find in her works.  

Location: Richardson Family Art Gallery
Contact: Youmi Efurd
1:00 PM - 9:00 PM
Exhibit: Japanese Art of the Edo and Meiji Eras, Richardson Family Art Museum, lower level (Arts and Cultural (On Campus))
Description:

Japanese Art of the Edo and Meiji Eras (1603-1912) displays a variety of cultural expressions of Japan, including tea ceremony implements, woodblock prints, porcelains, and ink paintings.  The Edo Period (1603-1868), named after the Shogun capital, is one of the most prosperous and thriving in the history of Japanese art.  The political stability established by the Tokugawa family prompted an increase in artistic, cultural and social development, with flourishing and distinctive aesthetics represented in paintings, ceramics, woodblock prints and decorative arts.  The Meiji Period (1868-1912), an era of radical social and political change from feudalism to modernity and adopted Western influences, witnessed a blending of cultures and an innovative interchange of old ideas and new in Japanese art.  This exhibition intends to further enhance scholarly research for students in ARTH 322 Art of Japan, and several of the labels in this exhibition will be written by students. Featured works are loaned from the Shiro Kuma Collection of Edwin and Rhena Symmes in Atlanta, GA, from the Edmund Daniel Kinzinger (1888-1963) Collection of Japanese Prints loaned by David and Barbara Goist in Asheville, NC, and from the collection of Dr. and Mrs. Hunter Stokes ('60) in Florence, SC.

Location: Richardson Family Art Museum, Lower Level
Contact: Youmi Efurd
Friday, October 26, 2018
(All Day)
Wofford Family Weekend (Alumni and Development)
Description: Wofford's Family Weekend festivities will be held on campus the weekend of Oct. 26-27, 2018. Visit wofford.edu/familyweekend for more information.
Location: Wofford College campus
Contact: Ryann McCall
1:00 PM - 5:00 PM
Art Exhibit: Scenic Impressions: Southern Interpretations from the Johnson Collection, Richardson Family Art Museum, upper level (Arts and Cultural (On Campus))
Description:

Scenic Impressions: Southern Interpretations from the Johnson Collection showcases forty-one artists—both native Southerners who recorded their own region and distant places, and others who were transitory visitors or seasonal residents. The result is a varied assortment of individual approaches, and, in the words of the popular American Impressionist Childe Hassam, “some things that are charming.Many of the painters on viewembraced the central tenets of Impressionism: light-filled natural settings loosely painted in high-key colors with visible brushstrokes; fluidity of form; and an emphasis on atmospheric transience. A “scenic impression” is the evocation of something seen, rather than its literal transcription. In terms of subject matter, it is most frequently a landscape, but it can also extend to a figurative composition set outdoors. The artist’s experience—his or her impression of the scene at hand—is paramount. The earliest paintings in the exhibition date from the 1880s and illustrate a Barbizon-inspired aesthetic consisting of dark tones and simple landscapes. Other works postdate Impressionism and display greater concern for expression and form, along with an awareness of the picture plane. 

Location: Richardson Family Art Museum, upper level
Contact: Youmi Efurd
1:00 PM - 5:00 PM
Exhibit: The Richardson Family Art Gallery features the works by Kaye Savage and Colleen Balance (Arts and Cultural (On Campus))
Description:

Kaye Savage, interested in chemical, physical, and biological interactions across different scales of time and space, in Earth’s surficial environments, presents both place-based, incorporating terrain patterns and natural materials from sites that she explores, and data-based, depicting patterns observed by herself  or by scientists that she meets in the field, as graphic elements. Her pieces engage with locations from the Blue Ridge to the South Carolina coast. 

For Ballance, It has been more than a bit of a stretch to return to her roots as an artist and attempt to create work not based on theatrical text.  However, once she worked with her watercolor guru, and traveled to Morocco and southern Spain to further her MENA studies, she was fortunate to find the inspiration she needed. The Saharan sand of Erg Chebbi and the miraculous decorative tile motifs at the Alhambra and madrasas of Fes provided her the mental freshness and soul touching spark to produce what viewers can find in her works.  

Location: Richardson Family Art Gallery
Contact: Youmi Efurd
1:00 PM - 5:00 PM
Exhibit: Japanese Art of the Edo and Meiji Eras, Richardson Family Art Museum, lower level (Arts and Cultural (On Campus))
Description:

Japanese Art of the Edo and Meiji Eras (1603-1912) displays a variety of cultural expressions of Japan, including tea ceremony implements, woodblock prints, porcelains, and ink paintings.  The Edo Period (1603-1868), named after the Shogun capital, is one of the most prosperous and thriving in the history of Japanese art.  The political stability established by the Tokugawa family prompted an increase in artistic, cultural and social development, with flourishing and distinctive aesthetics represented in paintings, ceramics, woodblock prints and decorative arts.  The Meiji Period (1868-1912), an era of radical social and political change from feudalism to modernity and adopted Western influences, witnessed a blending of cultures and an innovative interchange of old ideas and new in Japanese art.  This exhibition intends to further enhance scholarly research for students in ARTH 322 Art of Japan, and several of the labels in this exhibition will be written by students. Featured works are loaned from the Shiro Kuma Collection of Edwin and Rhena Symmes in Atlanta, GA, from the Edmund Daniel Kinzinger (1888-1963) Collection of Japanese Prints loaned by David and Barbara Goist in Asheville, NC, and from the collection of Dr. and Mrs. Hunter Stokes ('60) in Florence, SC.

Location: Richardson Family Art Museum, Lower Level
Contact: Youmi Efurd
4:00 PM - 5:00 PM
Parent’s Association Forum, McMillan Theater (Alumni and Development)
Description: All parents are invited to this forum! College administration, faculty and staff members will serve on this panel and answer any questions parents have about student life at Wofford College. For those who are unable to attend, the forum will be live-streamed on the Wofford College Parents Association Facebook page. 
Location: McMillan Theater, Campus Life Building
Contact: Ryann McCall
Saturday, October 27, 2018
(All Day)
Wofford Family Weekend (Alumni and Development)
Description: Wofford's Family Weekend festivities will be held on campus the weekend of Oct. 26-27, 2018. Visit wofford.edu/familyweekend for more information.
Location: Wofford College campus
Contact: Ryann McCall
9:30 AM - 10:30 AM
Order of 1854: Wofford Heritage Society Induction (INVITATION ONLY),The Pavilion (adjacent to Wightman Hall) (Alumni and Development)
Description: The Order of 1854 recognizes and celebrates current students and alumni whose parents, grandparents, great-grandparents, or children enroll at the college, thereby continuing a family tradition and presence spanning two or more generations. Brunch will be served and new members will be welcomed into The Order of 1854. This event is invitation only.
Location: The Pavilion (adjacent to Wightman Hall) - rain location TBD
Contact: Ryann McCall
11:30 AM - 12:50 PM
Poverty expert will explain what YOU can do to end poverty, Anna Todd Wofford Center (Academic)
Description:

Join Jos Linn, Grassroots Manager for U.S. Poverty Campaigns at RESULTS, on Monday, October 22 to learn how you can be an engaged citizen and help end poverty in America. His two interactive talks will be really inspiring! 11:30am in Anna Todd with lunch included, and 2pm in Gray Jones, Burwell.

Location: Anna Todd-Free food
Contact: Begona Caballero-Garcia
1:00 PM - 5:00 PM
Art Exhibit: Scenic Impressions: Southern Interpretations from the Johnson Collection, Richardson Family Art Museum, upper level (Arts and Cultural (On Campus))
Description:

Scenic Impressions: Southern Interpretations from the Johnson Collection showcases forty-one artists—both native Southerners who recorded their own region and distant places, and others who were transitory visitors or seasonal residents. The result is a varied assortment of individual approaches, and, in the words of the popular American Impressionist Childe Hassam, “some things that are charming.Many of the painters on viewembraced the central tenets of Impressionism: light-filled natural settings loosely painted in high-key colors with visible brushstrokes; fluidity of form; and an emphasis on atmospheric transience. A “scenic impression” is the evocation of something seen, rather than its literal transcription. In terms of subject matter, it is most frequently a landscape, but it can also extend to a figurative composition set outdoors. The artist’s experience—his or her impression of the scene at hand—is paramount. The earliest paintings in the exhibition date from the 1880s and illustrate a Barbizon-inspired aesthetic consisting of dark tones and simple landscapes. Other works postdate Impressionism and display greater concern for expression and form, along with an awareness of the picture plane. 

Location: Richardson Family Art Museum, upper level
Contact: Youmi Efurd
1:00 PM - 5:00 PM
Exhibit: The Richardson Family Art Gallery features the works by Kaye Savage and Colleen Balance (Arts and Cultural (On Campus))
Description:

Kaye Savage, interested in chemical, physical, and biological interactions across different scales of time and space, in Earth’s surficial environments, presents both place-based, incorporating terrain patterns and natural materials from sites that she explores, and data-based, depicting patterns observed by herself  or by scientists that she meets in the field, as graphic elements. Her pieces engage with locations from the Blue Ridge to the South Carolina coast. 

For Ballance, It has been more than a bit of a stretch to return to her roots as an artist and attempt to create work not based on theatrical text.  However, once she worked with her watercolor guru, and traveled to Morocco and southern Spain to further her MENA studies, she was fortunate to find the inspiration she needed. The Saharan sand of Erg Chebbi and the miraculous decorative tile motifs at the Alhambra and madrasas of Fes provided her the mental freshness and soul touching spark to produce what viewers can find in her works.  

Location: Richardson Family Art Gallery
Contact: Youmi Efurd
1:00 PM - 5:00 PM
Exhibit: Japanese Art of the Edo and Meiji Eras, Richardson Family Art Museum, lower level (Arts and Cultural (On Campus))
Description:

Japanese Art of the Edo and Meiji Eras (1603-1912) displays a variety of cultural expressions of Japan, including tea ceremony implements, woodblock prints, porcelains, and ink paintings.  The Edo Period (1603-1868), named after the Shogun capital, is one of the most prosperous and thriving in the history of Japanese art.  The political stability established by the Tokugawa family prompted an increase in artistic, cultural and social development, with flourishing and distinctive aesthetics represented in paintings, ceramics, woodblock prints and decorative arts.  The Meiji Period (1868-1912), an era of radical social and political change from feudalism to modernity and adopted Western influences, witnessed a blending of cultures and an innovative interchange of old ideas and new in Japanese art.  This exhibition intends to further enhance scholarly research for students in ARTH 322 Art of Japan, and several of the labels in this exhibition will be written by students. Featured works are loaned from the Shiro Kuma Collection of Edwin and Rhena Symmes in Atlanta, GA, from the Edmund Daniel Kinzinger (1888-1963) Collection of Japanese Prints loaned by David and Barbara Goist in Asheville, NC, and from the collection of Dr. and Mrs. Hunter Stokes ('60) in Florence, SC.

Location: Richardson Family Art Museum, Lower Level
Contact: Youmi Efurd
1:30 PM - 5:00 PM
Football vs. Mercer (Athletics)
Description: Football hosts Mercer at 1:30 PM! 
Contact: Jake Farkas
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