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Monday, October 1, 2018
(All Day)
Learning Work internship priority deadline (Academic)
Description: The priority deadline for proposals for this January's Learning Work internship program (JAN 389) is by 11:59PM this evening (October 1st.)  While proposals will continue to be accepted from October 2nd through October 15th, those students are not guaranteed a spot in the interim.  No proposals received after Monday, October 15th will be considered.  The main information page that takes you to the application form is found here:  http://www.wofford.edu/interim/InternshipInterims/
Students who have any questions should contact Dr. Anderson (Interim Coordinator).
Contact: A. K. Anderson
(All Day)
Study Abroad Application Deadline (Spring 2019) (Academic)
Description: Students planning to study abroad next semester (Spring 2019) must complete their applications by midnight. Late or incomplete applications will not be considered. To access/complete your application visit: www.wofford.studioabroad.com 
Contact: International Programs
11:00 AM
Study Abroad Orientation (Nuts & Bolts), Anna Todd Wofford Center (Academic)
Description:
This orientation is for students studying abroad in Spring 2019 regarding general preparations for international travel, such as: banking, flights, packing, and other logistical matters. Returned study abroad students will also be present to share insights and suggestions with current applicants. All Spring 2019 study abroad students are required to attend. 
Location: Anna Todd Wofford Center
Contact: International Programs
6:00 PM
Campus Union Meeting, Olin 101 (Student Life)
Location: Olin Building, Olin Rm. 101
Contact: Beth Clardy
Tuesday, October 2, 2018
11:00 AM - 1:00 PM
Suzette Walden Cole: It’s Everybody’s Job: Building Safer Communities, Leonard Auditorium (Student Life)
Description: It’s terrible, but it’s true: be it an average Friday night at someone’s apartment or an officially sponsored chapter or organization event, situations manifest where individuals are placed at risk – either by personal choice, or the actions of others. When those situations arise, it’s critical that our communities be prepared to protect one another. If we want to build a safer community against sexual violence and misconduct, then it is imperative that we provide students with the proper education to recognize and step in when they witness someone at risk. In this keynote, Suzette focuses on framing the conversation that is truly relatable for students so that they make real changes in their actions. Unfortunately, many students can’t recognize the signs of a situation wherein someone is a risk, leading to them either not realizing the risk at all or feeling too insecure to step in. Suzette helps by giving students the training they need to step in when they sense someone is in danger confidently. She teaches students the skills that they need to be proactive, aware community members, and help to bring an end to sexual assault and misconduct.

http://campuspeak.com/speaker/suzette-walden-cole/
Location: Leonard Auditorium
Contact: Demario Watts
1:00 PM - 5:00 PM
Art Exhibit: Scenic Impressions: Southern Interpretations from the Johnson Collection, Richardson Family Art Museum, upper level (Arts and Cultural (On Campus))
Description:

Scenic Impressions: Southern Interpretations from the Johnson Collection showcases forty-one artists—both native Southerners who recorded their own region and distant places, and others who were transitory visitors or seasonal residents. The result is a varied assortment of individual approaches, and, in the words of the popular American Impressionist Childe Hassam, “some things that are charming.Many of the painters on viewembraced the central tenets of Impressionism: light-filled natural settings loosely painted in high-key colors with visible brushstrokes; fluidity of form; and an emphasis on atmospheric transience. A “scenic impression” is the evocation of something seen, rather than its literal transcription. In terms of subject matter, it is most frequently a landscape, but it can also extend to a figurative composition set outdoors. The artist’s experience—his or her impression of the scene at hand—is paramount. The earliest paintings in the exhibition date from the 1880s and illustrate a Barbizon-inspired aesthetic consisting of dark tones and simple landscapes. Other works postdate Impressionism and display greater concern for expression and form, along with an awareness of the picture plane. 

Location: Richardson Family Art Museum, upper level
Contact: Youmi Efurd
1:00 PM - 5:00 PM
Exhibit: The Richardson Family Art Gallery features the works by Kaye Savage and Colleen Balance (Arts and Cultural (On Campus))
Description:

Kaye Savage, interested in chemical, physical, and biological interactions across different scales of time and space, in Earth’s surficial environments, presents both place-based, incorporating terrain patterns and natural materials from sites that she explores, and data-based, depicting patterns observed by herself  or by scientists that she meets in the field, as graphic elements. Her pieces engage with locations from the Blue Ridge to the South Carolina coast. 

For Ballance, It has been more than a bit of a stretch to return to her roots as an artist and attempt to create work not based on theatrical text.  However, once she worked with her watercolor guru, and traveled to Morocco and southern Spain to further her MENA studies, she was fortunate to find the inspiration she needed. The Saharan sand of Erg Chebbi and the miraculous decorative tile motifs at the Alhambra and madrasas of Fes provided her the mental freshness and soul touching spark to produce what viewers can find in her works.  

Location: Richardson Family Art Gallery
Contact: Youmi Efurd
1:00 PM - 5:00 PM
Exhibit: Japanese Art of the Edo and Meiji Eras, Richardson Family Art Museum, lower level (Arts and Cultural (On Campus))
Description:

Japanese Art of the Edo and Meiji Eras (1603-1912) displays a variety of cultural expressions of Japan, including tea ceremony implements, woodblock prints, porcelains, and ink paintings.  The Edo Period (1603-1868), named after the Shogun capital, is one of the most prosperous and thriving in the history of Japanese art.  The political stability established by the Tokugawa family prompted an increase in artistic, cultural and social development, with flourishing and distinctive aesthetics represented in paintings, ceramics, woodblock prints and decorative arts.  The Meiji Period (1868-1912), an era of radical social and political change from feudalism to modernity and adopted Western influences, witnessed a blending of cultures and an innovative interchange of old ideas and new in Japanese art.  This exhibition intends to further enhance scholarly research for students in ARTH 322 Art of Japan, and several of the labels in this exhibition will be written by students. Featured works are loaned from the Shiro Kuma Collection of Edwin and Rhena Symmes in Atlanta, GA, from the Edmund Daniel Kinzinger (1888-1963) Collection of Japanese Prints loaned by David and Barbara Goist in Asheville, NC, and from the collection of Dr. and Mrs. Hunter Stokes ('60) in Florence, SC.  

Location: Richardson Family Art Museum, Lower Level
Contact: Youmi Efurd
Wednesday, October 3, 2018
1:00 PM - 5:00 PM
Art Exhibit: Scenic Impressions: Southern Interpretations from the Johnson Collection, Richardson Family Art Museum, upper level (Arts and Cultural (On Campus))
Description:

Scenic Impressions: Southern Interpretations from the Johnson Collection showcases forty-one artists—both native Southerners who recorded their own region and distant places, and others who were transitory visitors or seasonal residents. The result is a varied assortment of individual approaches, and, in the words of the popular American Impressionist Childe Hassam, “some things that are charming.Many of the painters on viewembraced the central tenets of Impressionism: light-filled natural settings loosely painted in high-key colors with visible brushstrokes; fluidity of form; and an emphasis on atmospheric transience. A “scenic impression” is the evocation of something seen, rather than its literal transcription. In terms of subject matter, it is most frequently a landscape, but it can also extend to a figurative composition set outdoors. The artist’s experience—his or her impression of the scene at hand—is paramount. The earliest paintings in the exhibition date from the 1880s and illustrate a Barbizon-inspired aesthetic consisting of dark tones and simple landscapes. Other works postdate Impressionism and display greater concern for expression and form, along with an awareness of the picture plane. 

Location: Richardson Family Art Museum, upper level
Contact: Youmi Efurd
1:00 PM - 5:00 PM
Exhibit: The Richardson Family Art Gallery features the works by Kaye Savage and Colleen Balance (Arts and Cultural (On Campus))
Description:

Kaye Savage, interested in chemical, physical, and biological interactions across different scales of time and space, in Earth’s surficial environments, presents both place-based, incorporating terrain patterns and natural materials from sites that she explores, and data-based, depicting patterns observed by herself  or by scientists that she meets in the field, as graphic elements. Her pieces engage with locations from the Blue Ridge to the South Carolina coast. 

For Ballance, It has been more than a bit of a stretch to return to her roots as an artist and attempt to create work not based on theatrical text.  However, once she worked with her watercolor guru, and traveled to Morocco and southern Spain to further her MENA studies, she was fortunate to find the inspiration she needed. The Saharan sand of Erg Chebbi and the miraculous decorative tile motifs at the Alhambra and madrasas of Fes provided her the mental freshness and soul touching spark to produce what viewers can find in her works.  

Location: Richardson Family Art Gallery
Contact: Youmi Efurd
1:00 PM - 5:00 PM
Exhibit: Japanese Art of the Edo and Meiji Eras, Richardson Family Art Museum, lower level (Arts and Cultural (On Campus))
Description:

Japanese Art of the Edo and Meiji Eras (1603-1912) displays a variety of cultural expressions of Japan, including tea ceremony implements, woodblock prints, porcelains, and ink paintings.  The Edo Period (1603-1868), named after the Shogun capital, is one of the most prosperous and thriving in the history of Japanese art.  The political stability established by the Tokugawa family prompted an increase in artistic, cultural and social development, with flourishing and distinctive aesthetics represented in paintings, ceramics, woodblock prints and decorative arts.  The Meiji Period (1868-1912), an era of radical social and political change from feudalism to modernity and adopted Western influences, witnessed a blending of cultures and an innovative interchange of old ideas and new in Japanese art.  This exhibition intends to further enhance scholarly research for students in ARTH 322 Art of Japan, and several of the labels in this exhibition will be written by students. Featured works are loaned from the Shiro Kuma Collection of Edwin and Rhena Symmes in Atlanta, GA, from the Edmund Daniel Kinzinger (1888-1963) Collection of Japanese Prints loaned by David and Barbara Goist in Asheville, NC, and from the collection of Dr. and Mrs. Hunter Stokes ('60) in Florence, SC.

Location: Richardson Family Art Museum, Lower Level
Contact: Youmi Efurd
Thursday, October 4, 2018
1:00 PM - 9:00 PM
Art Exhibit: Scenic Impressions: Southern Interpretations from the Johnson Collection, Richardson Family Art Museum, upper level (Arts and Cultural (On Campus))
Description:

Scenic Impressions: Southern Interpretations from the Johnson Collection showcases forty-one artists—both native Southerners who recorded their own region and distant places, and others who were transitory visitors or seasonal residents. The result is a varied assortment of individual approaches, and, in the words of the popular American Impressionist Childe Hassam, “some things that are charming.Many of the painters on viewembraced the central tenets of Impressionism: light-filled natural settings loosely painted in high-key colors with visible brushstrokes; fluidity of form; and an emphasis on atmospheric transience. A “scenic impression” is the evocation of something seen, rather than its literal transcription. In terms of subject matter, it is most frequently a landscape, but it can also extend to a figurative composition set outdoors. The artist’s experience—his or her impression of the scene at hand—is paramount. The earliest paintings in the exhibition date from the 1880s and illustrate a Barbizon-inspired aesthetic consisting of dark tones and simple landscapes. Other works postdate Impressionism and display greater concern for expression and form, along with an awareness of the picture plane. 

Location: Richardson Family Art Museum, upper level
Contact: Youmi Efurd
1:00 PM - 9:00 PM
Exhibit: The Richardson Family Art Gallery features the works by Kaye Savage and Colleen Balance (Arts and Cultural (On Campus))
Description:

Kaye Savage, interested in chemical, physical, and biological interactions across different scales of time and space, in Earth’s surficial environments, presents both place-based, incorporating terrain patterns and natural materials from sites that she explores, and data-based, depicting patterns observed by herself  or by scientists that she meets in the field, as graphic elements. Her pieces engage with locations from the Blue Ridge to the South Carolina coast. 

For Ballance, It has been more than a bit of a stretch to return to her roots as an artist and attempt to create work not based on theatrical text.  However, once she worked with her watercolor guru, and traveled to Morocco and southern Spain to further her MENA studies, she was fortunate to find the inspiration she needed. The Saharan sand of Erg Chebbi and the miraculous decorative tile motifs at the Alhambra and madrasas of Fes provided her the mental freshness and soul touching spark to produce what viewers can find in her works.  

Location: Richardson Family Art Gallery
Contact: Youmi Efurd
1:00 PM - 9:00 PM
Exhibit: Japanese Art of the Edo and Meiji Eras, Richardson Family Art Museum, lower level (Arts and Cultural (On Campus))
Description:

Japanese Art of the Edo and Meiji Eras (1603-1912) displays a variety of cultural expressions of Japan, including tea ceremony implements, woodblock prints, porcelains, and ink paintings.  The Edo Period (1603-1868), named after the Shogun capital, is one of the most prosperous and thriving in the history of Japanese art.  The political stability established by the Tokugawa family prompted an increase in artistic, cultural and social development, with flourishing and distinctive aesthetics represented in paintings, ceramics, woodblock prints and decorative arts.  The Meiji Period (1868-1912), an era of radical social and political change from feudalism to modernity and adopted Western influences, witnessed a blending of cultures and an innovative interchange of old ideas and new in Japanese art.  This exhibition intends to further enhance scholarly research for students in ARTH 322 Art of Japan, and several of the labels in this exhibition will be written by students. Featured works are loaned from the Shiro Kuma Collection of Edwin and Rhena Symmes in Atlanta, GA, from the Edmund Daniel Kinzinger (1888-1963) Collection of Japanese Prints loaned by David and Barbara Goist in Asheville, NC, and from the collection of Dr. and Mrs. Hunter Stokes ('60) in Florence, SC.

Location: Richardson Family Art Museum, Lower Level
Contact: Youmi Efurd
6:00 PM - 7:00 PM
Humans of Wofford, RSRCA 125 (Student Life)
Description:

Come and listen to the fascinating story of a fellow Terrier and Student Body President! The Association of Multicultural Students have brought Mr. Fredy Madrid '20 to discuss his story of the transition from Honduras to the United States. 

Location: RSRCA 125
Contact: Bryson Coleman
Friday, October 5, 2018
1:00 PM - 5:00 PM
Art Exhibit: Scenic Impressions: Southern Interpretations from the Johnson Collection, Richardson Family Art Museum, upper level (Arts and Cultural (On Campus))
Description:

Scenic Impressions: Southern Interpretations from the Johnson Collection showcases forty-one artists—both native Southerners who recorded their own region and distant places, and others who were transitory visitors or seasonal residents. The result is a varied assortment of individual approaches, and, in the words of the popular American Impressionist Childe Hassam, “some things that are charming.Many of the painters on viewembraced the central tenets of Impressionism: light-filled natural settings loosely painted in high-key colors with visible brushstrokes; fluidity of form; and an emphasis on atmospheric transience. A “scenic impression” is the evocation of something seen, rather than its literal transcription. In terms of subject matter, it is most frequently a landscape, but it can also extend to a figurative composition set outdoors. The artist’s experience—his or her impression of the scene at hand—is paramount. The earliest paintings in the exhibition date from the 1880s and illustrate a Barbizon-inspired aesthetic consisting of dark tones and simple landscapes. Other works postdate Impressionism and display greater concern for expression and form, along with an awareness of the picture plane. 

Location: Richardson Family Art Museum, upper level
Contact: Youmi Efurd
1:00 PM - 5:00 PM
Exhibit: The Richardson Family Art Gallery features the works by Kaye Savage and Colleen Balance (Arts and Cultural (On Campus))
Description:

Kaye Savage, interested in chemical, physical, and biological interactions across different scales of time and space, in Earth’s surficial environments, presents both place-based, incorporating terrain patterns and natural materials from sites that she explores, and data-based, depicting patterns observed by herself  or by scientists that she meets in the field, as graphic elements. Her pieces engage with locations from the Blue Ridge to the South Carolina coast. 

For Ballance, It has been more than a bit of a stretch to return to her roots as an artist and attempt to create work not based on theatrical text.  However, once she worked with her watercolor guru, and traveled to Morocco and southern Spain to further her MENA studies, she was fortunate to find the inspiration she needed. The Saharan sand of Erg Chebbi and the miraculous decorative tile motifs at the Alhambra and madrasas of Fes provided her the mental freshness and soul touching spark to produce what viewers can find in her works.  

Location: Richardson Family Art Gallery
Contact: Youmi Efurd
1:00 PM - 5:00 PM
Exhibit: Japanese Art of the Edo and Meiji Eras, Richardson Family Art Museum, lower level (Arts and Cultural (On Campus))
Description:

Japanese Art of the Edo and Meiji Eras (1603-1912) displays a variety of cultural expressions of Japan, including tea ceremony implements, woodblock prints, porcelains, and ink paintings.  The Edo Period (1603-1868), named after the Shogun capital, is one of the most prosperous and thriving in the history of Japanese art.  The political stability established by the Tokugawa family prompted an increase in artistic, cultural and social development, with flourishing and distinctive aesthetics represented in paintings, ceramics, woodblock prints and decorative arts.  The Meiji Period (1868-1912), an era of radical social and political change from feudalism to modernity and adopted Western influences, witnessed a blending of cultures and an innovative interchange of old ideas and new in Japanese art.  This exhibition intends to further enhance scholarly research for students in ARTH 322 Art of Japan, and several of the labels in this exhibition will be written by students. Featured works are loaned from the Shiro Kuma Collection of Edwin and Rhena Symmes in Atlanta, GA, from the Edmund Daniel Kinzinger (1888-1963) Collection of Japanese Prints loaned by David and Barbara Goist in Asheville, NC, and from the collection of Dr. and Mrs. Hunter Stokes ('60) in Florence, SC.

Location: Richardson Family Art Museum, Lower Level
Contact: Youmi Efurd
Saturday, October 6, 2018
1:00 PM - 5:00 PM
Art Exhibit: Scenic Impressions: Southern Interpretations from the Johnson Collection, Richardson Family Art Museum, upper level (Arts and Cultural (On Campus))
Description:

Scenic Impressions: Southern Interpretations from the Johnson Collection showcases forty-one artists—both native Southerners who recorded their own region and distant places, and others who were transitory visitors or seasonal residents. The result is a varied assortment of individual approaches, and, in the words of the popular American Impressionist Childe Hassam, “some things that are charming.Many of the painters on viewembraced the central tenets of Impressionism: light-filled natural settings loosely painted in high-key colors with visible brushstrokes; fluidity of form; and an emphasis on atmospheric transience. A “scenic impression” is the evocation of something seen, rather than its literal transcription. In terms of subject matter, it is most frequently a landscape, but it can also extend to a figurative composition set outdoors. The artist’s experience—his or her impression of the scene at hand—is paramount. The earliest paintings in the exhibition date from the 1880s and illustrate a Barbizon-inspired aesthetic consisting of dark tones and simple landscapes. Other works postdate Impressionism and display greater concern for expression and form, along with an awareness of the picture plane. 

Location: Richardson Family Art Museum, upper level
Contact: Youmi Efurd
1:00 PM - 5:00 PM
Exhibit: The Richardson Family Art Gallery features the works by Kaye Savage and Colleen Balance (Arts and Cultural (On Campus))
Description:

Kaye Savage, interested in chemical, physical, and biological interactions across different scales of time and space, in Earth’s surficial environments, presents both place-based, incorporating terrain patterns and natural materials from sites that she explores, and data-based, depicting patterns observed by herself  or by scientists that she meets in the field, as graphic elements. Her pieces engage with locations from the Blue Ridge to the South Carolina coast. 

For Ballance, It has been more than a bit of a stretch to return to her roots as an artist and attempt to create work not based on theatrical text.  However, once she worked with her watercolor guru, and traveled to Morocco and southern Spain to further her MENA studies, she was fortunate to find the inspiration she needed. The Saharan sand of Erg Chebbi and the miraculous decorative tile motifs at the Alhambra and madrasas of Fes provided her the mental freshness and soul touching spark to produce what viewers can find in her works.  

Location: Richardson Family Art Gallery
Contact: Youmi Efurd
1:00 PM - 5:00 PM
Exhibit: Japanese Art of the Edo and Meiji Eras, Richardson Family Art Museum, lower level (Arts and Cultural (On Campus))
Description:

Japanese Art of the Edo and Meiji Eras (1603-1912) displays a variety of cultural expressions of Japan, including tea ceremony implements, woodblock prints, porcelains, and ink paintings.  The Edo Period (1603-1868), named after the Shogun capital, is one of the most prosperous and thriving in the history of Japanese art.  The political stability established by the Tokugawa family prompted an increase in artistic, cultural and social development, with flourishing and distinctive aesthetics represented in paintings, ceramics, woodblock prints and decorative arts.  The Meiji Period (1868-1912), an era of radical social and political change from feudalism to modernity and adopted Western influences, witnessed a blending of cultures and an innovative interchange of old ideas and new in Japanese art.  This exhibition intends to further enhance scholarly research for students in ARTH 322 Art of Japan, and several of the labels in this exhibition will be written by students. Featured works are loaned from the Shiro Kuma Collection of Edwin and Rhena Symmes in Atlanta, GA, from the Edmund Daniel Kinzinger (1888-1963) Collection of Japanese Prints loaned by David and Barbara Goist in Asheville, NC, and from the collection of Dr. and Mrs. Hunter Stokes ('60) in Florence, SC.

Location: Richardson Family Art Museum, Lower Level
Contact: Youmi Efurd
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