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Wednesday, August 1, 2018
1:00 PM - 5:00 PM
Exhibit: Julia Elizabeth Tolbert: Her Paintings through the Eyes of Woman, Richardson Family Art Museum (lower level) (Arts and Cultural (On Campus))
Description:

This exhibition of paintings by South Carolina-born artist Julia Elizabeth Tolbert (1911-1978) features works that are reflective of what life was like for a female artist in the early twentieth-century. Curated by student Julie Woodson, the exhibition is a culmination of her Gender Studies capstone and serves in conjunction with her year-long Art History honors research, which centered on the artist herself. 

Location: Richardson Family Art Museum
Contact: Youmi Efurd
1:00 PM - 5:00 PM
Exhibit: The South Carolina Coastal Lithograph Project by Jim Creal, Richardson Family Art Museum (upper level) (Arts and Cultural (On Campus))
Description:

The original mission of The South Carolina Coastal Lithograph Project was to create a lasting body of lithographic work devoted to capturing the mood, spirit and rich diversity of South Carolina's coastal habitats and some of their extraordinary indigenous creatures. In this exhibit, Jim Creal augments the original project to include not only the hand produced original lithographs as originally envisioned but also adds his documentary site/habitat photographs to flush out telling the visual story of our coast’s magnificent and increasingly endangered ecosystem.  This project is his way of sharing with audiences the visual story and magnificent beauty of South Carolina’s coastal habitats, their combined significance as a vital ecosystem under stress and their value as a national treasure that needs to be preserved for future generations.

Location: Richardson Family Art Museum
Contact: Youmi Efurd
Thursday, August 2, 2018
1:00 PM - 9:00 PM
Exhibit: Julia Elizabeth Tolbert: Her Paintings through the Eyes of Woman, Richardson Family Art Museum (lower level) (Arts and Cultural (On Campus))
Description:

This exhibition of paintings by South Carolina-born artist Julia Elizabeth Tolbert (1911-1978) features works that are reflective of what life was like for a female artist in the early twentieth-century. Curated by student Julie Woodson, the exhibition is a culmination of her Gender Studies capstone and serves in conjunction with her year-long Art History honors research, which centered on the artist herself. 

Location: Richardson Family Art Museum
Contact: Youmi Efurd
1:00 PM - 9:00 PM
Exhibit: The South Carolina Coastal Lithograph Project by Jim Creal, Richardson Family Art Museum (upper level) (Arts and Cultural (On Campus))
Description:

The original mission of The South Carolina Coastal Lithograph Project was to create a lasting body of lithographic work devoted to capturing the mood, spirit and rich diversity of South Carolina's coastal habitats and some of their extraordinary indigenous creatures. In this exhibit, Jim Creal augments the original project to include not only the hand produced original lithographs as originally envisioned but also adds his documentary site/habitat photographs to flush out telling the visual story of our coast’s magnificent and increasingly endangered ecosystem.  This project is his way of sharing with audiences the visual story and magnificent beauty of South Carolina’s coastal habitats, their combined significance as a vital ecosystem under stress and their value as a national treasure that needs to be preserved for future generations.

Location: Richardson Family Art Museum
Contact: Youmi Efurd
Friday, August 3, 2018
1:00 PM - 5:00 PM
Exhibit: Julia Elizabeth Tolbert: Her Paintings through the Eyes of Woman, Richardson Family Art Museum (lower level) (Arts and Cultural (On Campus))
Description:

This exhibition of paintings by South Carolina-born artist Julia Elizabeth Tolbert (1911-1978) features works that are reflective of what life was like for a female artist in the early twentieth-century. Curated by student Julie Woodson, the exhibition is a culmination of her Gender Studies capstone and serves in conjunction with her year-long Art History honors research, which centered on the artist herself. 

Location: Richardson Family Art Museum
Contact: Youmi Efurd
1:00 PM - 5:00 PM
Exhibit: The South Carolina Coastal Lithograph Project by Jim Creal, Richardson Family Art Museum (upper level) (Arts and Cultural (On Campus))
Description:

The original mission of The South Carolina Coastal Lithograph Project was to create a lasting body of lithographic work devoted to capturing the mood, spirit and rich diversity of South Carolina's coastal habitats and some of their extraordinary indigenous creatures. In this exhibit, Jim Creal augments the original project to include not only the hand produced original lithographs as originally envisioned but also adds his documentary site/habitat photographs to flush out telling the visual story of our coast’s magnificent and increasingly endangered ecosystem.  This project is his way of sharing with audiences the visual story and magnificent beauty of South Carolina’s coastal habitats, their combined significance as a vital ecosystem under stress and their value as a national treasure that needs to be preserved for future generations.

Location: Richardson Family Art Museum
Contact: Youmi Efurd
Saturday, August 4, 2018
1:00 PM - 5:00 PM
Exhibit: Julia Elizabeth Tolbert: Her Paintings through the Eyes of Woman, Richardson Family Art Museum (lower level) (Arts and Cultural (On Campus))
Description:

This exhibition of paintings by South Carolina-born artist Julia Elizabeth Tolbert (1911-1978) features works that are reflective of what life was like for a female artist in the early twentieth-century. Curated by student Julie Woodson, the exhibition is a culmination of her Gender Studies capstone and serves in conjunction with her year-long Art History honors research, which centered on the artist herself. 

Location: Richardson Family Art Museum
Contact: Youmi Efurd
1:00 PM - 5:00 PM
Exhibit: The South Carolina Coastal Lithograph Project by Jim Creal, Richardson Family Art Museum (upper level) (Arts and Cultural (On Campus))
Description:

The original mission of The South Carolina Coastal Lithograph Project was to create a lasting body of lithographic work devoted to capturing the mood, spirit and rich diversity of South Carolina's coastal habitats and some of their extraordinary indigenous creatures. In this exhibit, Jim Creal augments the original project to include not only the hand produced original lithographs as originally envisioned but also adds his documentary site/habitat photographs to flush out telling the visual story of our coast’s magnificent and increasingly endangered ecosystem.  This project is his way of sharing with audiences the visual story and magnificent beauty of South Carolina’s coastal habitats, their combined significance as a vital ecosystem under stress and their value as a national treasure that needs to be preserved for future generations.

Location: Richardson Family Art Museum
Contact: Youmi Efurd
Sunday, August 5, 2018
3:10 PM - 5:10 PM
Carolina Panthers Practice/Panther Pals, Practice Fields (Other)
Description:

Panthers Pals presented by Academy Sports + Outdoors. Panthers Pals offers children ages 6-13 an opportunity to watch part of practice from field level and then spend time with a player afterward. Kids can register to be a Panthers Pal at the Academy Sports + Outdoors Kids Field located outside the entrance to the practice fields. Five names will be randomly chosen 45 minutes before the end of practice. The children selected will receive a Panther Pal T-shirt and will be escorted to a special area to watch the conclusion of practice.

Carolina Panthers Practice: Practice schedule is subject to change without notice. Players sign autographs for fans at the conclusion of training camp practices. However, due to demand, not all fans are guaranteed to receive authographs.

 
Location: Practice Fields
Contact: Janella Lane
Saturday, August 11, 2018
3:10 PM - 5:10 PM
Carolina Panthers Practice/Panther Pals, Practice Fields (Other)
Description:

Panthers Pals presented by Academy Sports + Outdoors. Panthers Pals offers children ages 6-13 an opportunity to watch part of practice from field level and then spend time with a player afterward. Kids can register to be a Panthers Pal at the Academy Sports + Outdoors Kids Field located outside the entrance to the practice fields. Five names will be randomly chosen 45 minutes before the end of practice. The children selected will receive a Panther Pal T-shirt and will be escorted to a special area to watch the conclusion of practice.

Carolina Panthers Practice: Practice schedule is subject to change without notice. Players sign autographs for fans at the conclusion of training camp practices. However, due to demand, not all fans are guaranteed to receive authographs.

 
Location: Practice Fields
Contact: Janella Lane
Sunday, August 12, 2018
9:25 AM - 11:30 AM
Carolina Panthers Practice/Panther Pals, Practice Fields (Other)
Description:

Panthers Pals presented by Academy Sports + Outdoors. Panthers Pals offers children ages 6-13 an opportunity to watch part of practice from field level and then spend time with a player afterward. Kids can register to be a Panthers Pal at the Academy Sports + Outdoors Kids Field located outside the entrance to the practice fields. Five names will be randomly chosen 45 minutes before the end of practice. The children selected will receive a Panther Pal T-shirt and will be escorted to a special area to watch the conclusion of practice.

Carolina Panthers Practice: Practice schedule is subject to change without notice. Players sign autographs for fans at the conclusion of training camp practices. However, due to demand, not all fans are guaranteed to receive authographs.

 
Location: Practice Fields
Contact: Janella Lane
Friday, August 17, 2018
7:00 PM - 9:00 PM
Women's Soccer vs. UNC Asheville (Athletics)
Description: Women's soccer kicks off the first contest of the 2018-19 year against UNC Asheville. Admission is free! Free schedule posters will be given out, and come celebrate Faculty and Staff Friday with your Terriers! 
Location: Snyder Field
Contact: Jake Farkas
Monday, August 27, 2018
10:00 AM - Noon
Advisors Meeting: Organization for fall 2018, Olin 101 (Academic)
Description: General education advisors will meet to prepare for Fall Orientation commitments and to look ahead to fall 2018 advising.
Location: Olin 101
Contact: Carol B. Wilson
Tuesday, August 28, 2018
1:00 PM - 5:00 PM
Art Exhibit: Scenic Impressions: Southern Interpretations from the Johnson Collection, Richardson Family Art Museum, upper level (Arts and Cultural (On Campus))
Description:

Scenic Impressions: Southern Interpretations from the Johnson Collection showcases forty-one artists—both native Southerners who recorded their own region and distant places, and others who were transitory visitors or seasonal residents. The result is a varied assortment of individual approaches, and, in the words of the popular American Impressionist Childe Hassam, “some things that are charming.Many of the painters on viewembraced the central tenets of Impressionism: light-filled natural settings loosely painted in high-key colors with visible brushstrokes; fluidity of form; and an emphasis on atmospheric transience. A “scenic impression” is the evocation of something seen, rather than its literal transcription. In terms of subject matter, it is most frequently a landscape, but it can also extend to a figurative composition set outdoors. The artist’s experience—his or her impression of the scene at hand—is paramount. The earliest paintings in the exhibition date from the 1880s and illustrate a Barbizon-inspired aesthetic consisting of dark tones and simple landscapes. Other works postdate Impressionism and display greater concern for expression and form, along with an awareness of the picture plane. 

Location: Richardson Family Art Museum, upper level
Contact: Youmi Efurd
1:00 PM - 5:00 PM
Exhibit: Japanese Art of the Edo and Meiji Eras, Richardson Family Art Museum, lower level (Arts and Cultural (On Campus))
Description:

Japanese Art of the Edo and Meiji Eras (1603-1912) displays a variety of cultural expressions of Japan, including tea ceremony implements, woodblock prints, porcelains, and ink paintings.  The Edo Period (1603-1868), named after the Shogun capital, is one of the most prosperous and thriving in the history of Japanese art.  The political stability established by the Tokugawa family prompted an increase in artistic, cultural and social development, with flourishing and distinctive aesthetics represented in paintings, ceramics, woodblock prints and decorative arts.  The Meiji Period (1868-1912), an era of radical social and political change from feudalism to modernity and adopted Western influences, witnessed a blending of cultures and an innovative interchange of old ideas and new in Japanese art.  This exhibition intends to further enhance scholarly research for students in ARTH 322 Art of Japan, and several of the labels in this exhibition will be written by students. Featured works are loaned from the Shiro Kuma Collection of Edwin and Rhena Symmes in Atlanta, GA, from the Edmund Kinzinger (1888-1963) Collection of Japanese Prints loaned by David and Barbara Goist in Asheville, NC, and from the collection of Dr. and Mrs. Hunter Stokes ('60) in Florence, SC.

Location: Richardson Family Art Museum, Lower Level
Contact: Youmi Efurd
Wednesday, August 29, 2018
1:00 PM - 5:00 PM
Art Exhibit: Scenic Impressions: Southern Interpretations from the Johnson Collection, Richardson Family Art Museum, upper level (Arts and Cultural (On Campus))
Description:

Scenic Impressions: Southern Interpretations from the Johnson Collection showcases forty-one artists—both native Southerners who recorded their own region and distant places, and others who were transitory visitors or seasonal residents. The result is a varied assortment of individual approaches, and, in the words of the popular American Impressionist Childe Hassam, “some things that are charming.Many of the painters on viewembraced the central tenets of Impressionism: light-filled natural settings loosely painted in high-key colors with visible brushstrokes; fluidity of form; and an emphasis on atmospheric transience. A “scenic impression” is the evocation of something seen, rather than its literal transcription. In terms of subject matter, it is most frequently a landscape, but it can also extend to a figurative composition set outdoors. The artist’s experience—his or her impression of the scene at hand—is paramount. The earliest paintings in the exhibition date from the 1880s and illustrate a Barbizon-inspired aesthetic consisting of dark tones and simple landscapes. Other works postdate Impressionism and display greater concern for expression and form, along with an awareness of the picture plane. 

Location: Richardson Family Art Museum, upper level
Contact: Youmi Efurd
1:00 PM - 5:00 PM
Exhibit: Japanese Art of the Edo and Meiji Eras, Richardson Family Art Museum, lower level (Arts and Cultural (On Campus))
Description:

Japanese Art of the Edo and Meiji Eras (1603-1912) displays a variety of cultural expressions of Japan, including tea ceremony implements, woodblock prints, porcelains, and ink paintings.  The Edo Period (1603-1868), named after the Shogun capital, is one of the most prosperous and thriving in the history of Japanese art.  The political stability established by the Tokugawa family prompted an increase in artistic, cultural and social development, with flourishing and distinctive aesthetics represented in paintings, ceramics, woodblock prints and decorative arts.  The Meiji Period (1868-1912), an era of radical social and political change from feudalism to modernity and adopted Western influences, witnessed a blending of cultures and an innovative interchange of old ideas and new in Japanese art.  This exhibition intends to further enhance scholarly research for students in ARTH 322 Art of Japan, and several of the labels in this exhibition will be written by students. Featured works are loaned from the Shiro Kuma Collection of Edwin and Rhena Symmes in Atlanta, GA, from the Edmund Daniel Kinzinger (1888-1963) Collection of Japanese Prints loaned by David and Barbara Goist in Asheville, NC, and from the collection of Dr. and Mrs. Hunter Stokes ('60) in Florence, SC.

Location: Richardson Family Art Museum, Lower Level
Contact: Youmi Efurd
Thursday, August 30, 2018
8:00 AM - Noon
Pre-Session, Rosalind Sallenger Richardson Center for the Arts (Academic)
Description: 2018-19 Faculty and Staff Pre-Session
Location: Rosalind Sallenger Richardson Center for the Arts
Contact: Kris Wright
1:00 PM - 9:00 PM
Art Exhibit: Scenic Impressions: Southern Interpretations from the Johnson Collection, Richardson Family Art Museum, upper level (Arts and Cultural (On Campus))
Description:

Scenic Impressions: Southern Interpretations from the Johnson Collection showcases forty-one artists—both native Southerners who recorded their own region and distant places, and others who were transitory visitors or seasonal residents. The result is a varied assortment of individual approaches, and, in the words of the popular American Impressionist Childe Hassam, “some things that are charming.Many of the painters on viewembraced the central tenets of Impressionism: light-filled natural settings loosely painted in high-key colors with visible brushstrokes; fluidity of form; and an emphasis on atmospheric transience. A “scenic impression” is the evocation of something seen, rather than its literal transcription. In terms of subject matter, it is most frequently a landscape, but it can also extend to a figurative composition set outdoors. The artist’s experience—his or her impression of the scene at hand—is paramount. The earliest paintings in the exhibition date from the 1880s and illustrate a Barbizon-inspired aesthetic consisting of dark tones and simple landscapes. Other works postdate Impressionism and display greater concern for expression and form, along with an awareness of the picture plane. 

Location: Richardson Family Art Museum, upper level
Contact: Youmi Efurd
1:00 PM - 9:00 PM
Exhibit: Japanese Art of the Edo and Meiji Eras, Richardson Family Art Museum, lower level (Arts and Cultural (On Campus))
Description:

Japanese Art of the Edo and Meiji Eras (1603-1912) displays a variety of cultural expressions of Japan, including tea ceremony implements, woodblock prints, porcelains, and ink paintings.  The Edo Period (1603-1868), named after the Shogun capital, is one of the most prosperous and thriving in the history of Japanese art.  The political stability established by the Tokugawa family prompted an increase in artistic, cultural and social development, with flourishing and distinctive aesthetics represented in paintings, ceramics, woodblock prints and decorative arts.  The Meiji Period (1868-1912), an era of radical social and political change from feudalism to modernity and adopted Western influences, witnessed a blending of cultures and an innovative interchange of old ideas and new in Japanese art.  This exhibition intends to further enhance scholarly research for students in ARTH 322 Art of Japan, and several of the labels in this exhibition will be written by students. Featured works are loaned from the Shiro Kuma Collection of Edwin and Rhena Symmes in Atlanta, GA, from the Edmund Daniel Kinzinger (1888-1963) Collection of Japanese Prints loaned by David and Barbara Goist in Asheville, NC, and from the collection of Dr. and Mrs. Hunter Stokes ('60) in Florence, SC.

Location: Richardson Family Art Museum, Lower Level
Contact: Youmi Efurd
Friday, August 31, 2018
1:00 PM - 5:00 PM
Art Exhibit: Scenic Impressions: Southern Interpretations from the Johnson Collection, Richardson Family Art Museum, upper level (Arts and Cultural (On Campus))
Description:

Scenic Impressions: Southern Interpretations from the Johnson Collection showcases forty-one artists—both native Southerners who recorded their own region and distant places, and others who were transitory visitors or seasonal residents. The result is a varied assortment of individual approaches, and, in the words of the popular American Impressionist Childe Hassam, “some things that are charming.Many of the painters on viewembraced the central tenets of Impressionism: light-filled natural settings loosely painted in high-key colors with visible brushstrokes; fluidity of form; and an emphasis on atmospheric transience. A “scenic impression” is the evocation of something seen, rather than its literal transcription. In terms of subject matter, it is most frequently a landscape, but it can also extend to a figurative composition set outdoors. The artist’s experience—his or her impression of the scene at hand—is paramount. The earliest paintings in the exhibition date from the 1880s and illustrate a Barbizon-inspired aesthetic consisting of dark tones and simple landscapes. Other works postdate Impressionism and display greater concern for expression and form, along with an awareness of the picture plane. 

Location: Richardson Family Art Museum, upper level
Contact: Youmi Efurd
1:00 PM - 5:00 PM
Exhibit: Japanese Art of the Edo and Meiji Eras, Richardson Family Art Museum, lower level (Arts and Cultural (On Campus))
Description:

Japanese Art of the Edo and Meiji Eras (1603-1912) displays a variety of cultural expressions of Japan, including tea ceremony implements, woodblock prints, porcelains, and ink paintings.  The Edo Period (1603-1868), named after the Shogun capital, is one of the most prosperous and thriving in the history of Japanese art.  The political stability established by the Tokugawa family prompted an increase in artistic, cultural and social development, with flourishing and distinctive aesthetics represented in paintings, ceramics, woodblock prints and decorative arts.  The Meiji Period (1868-1912), an era of radical social and political change from feudalism to modernity and adopted Western influences, witnessed a blending of cultures and an innovative interchange of old ideas and new in Japanese art.  This exhibition intends to further enhance scholarly research for students in ARTH 322 Art of Japan, and several of the labels in this exhibition will be written by students. Featured works are loaned from the Shiro Kuma Collection of Edwin and Rhena Symmes in Atlanta, GA, from the Edmund Daniel Kinzinger (1888-1963) Collection of Japanese Prints loaned by David and Barbara Goist in Asheville, NC, and from the collection of Dr. and Mrs. Hunter Stokes ('60) in Florence, SC.

Location: Richardson Family Art Museum, Lower Level
Contact: Youmi Efurd
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