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Sunday, October 28, 2018
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4:00 PM - 4:30 PM
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4:30 PM - 5:00 PM
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5:00 PM - 5:30 PM
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Monday, October 29, 2018
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(All Day)
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Peace Pole, Seal of Main
(Student Life)
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Description: |
The peace pole will be available on the Seal of Old Main, all day on Monday, October 29, 2018. Orange ribbons will be available to be tied around the peace pole in honor of the people and law enforcement who were injured and killed at the Tree of Life synagogue in Pittsburg, Penn. Orange is the color the represents gun violence awareness and Wofford's Amnesty International and Office of the Chaplain invite anyone from the Wofford or Spartanburg community to tie a ribbon as a representation of our solidarity following such a tragic event.
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Location: |
Seal of Old Main |
Contact: |
Vera Oberg
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3:00 PM - 5:00 PM
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4:30 PM - 5:30 PM
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5:15 PM - 6:30 PM
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5:30 PM - 6:00 PM
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6:00 PM - 6:30 PM
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6:00 PM
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6:30 PM - 7:00 PM
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7:00 PM - 7:30 PM
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Tuesday, October 30, 2018
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(All Day)
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Peace Pole, Seal of Main Bldg.
(Student Life)
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Description: |
The Peace Pole will be available until 10/31/18 for members of the Wofford community to tie continue tying orange ribbons around it. This is in response to the shooting at the Tree of Life synagogue, as orange represents the color for ending gun violence. The Peace Pole has "may there be peace on Earth" written in 9 different languages. The side-walls of Old Main also include the names and pictures of the victims and a message board where you can write a message to the Tree of Life. These messages will be sent to them at the end of the week. Please join Wofford Amnesty International and the Office of the Chaplain in keeping the victims, their family, and members of the Jewish community in your thoughts and prayers.
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Location: |
Seal of Old Main |
Contact: |
Vera Oberg
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11:00 AM - 12:30 PM
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11:00 AM - 4:00 PM
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11:30 AM - 12:30 PM
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11:30 AM - 12:45 PM
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Inclusive teaching group-Conversation with students, Holcombe Room
(Academic)
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Description: |
During this meeting, some diverse students have been invited to join the group. They have been asked to reflect on the following questions without including students/faculty names:
What make you feel included
in the classroom?
What make you not feel
included in the classroom?
Have a friend of yours or somebody
in your group faced discrimination in the classroom at Wofford? What happened?
Any other
comment/ideas/suggestions you have for professors at Wofford? If you are a student, and you would like to be invited to this luncheon, please contact Dr. Caballero-Garcia, Dean of Diversity and Inclusion, at caballerogarciamb@wofford.edu
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Location: |
Holcombe Room |
Contact: |
Begona Caballero-Garcia
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1:00 PM - 5:00 PM
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Art Exhibit: Scenic Impressions: Southern Interpretations from the Johnson Collection, Richardson Family Art Museum, upper level
(Arts and Cultural (On Campus))
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Description: |
Scenic Impressions: Southern Interpretations from the Johnson
Collection showcases forty-one artists—both native Southerners who recorded
their own region and distant places, and others who were transitory visitors or
seasonal residents. The result is a varied assortment of individual approaches,
and, in the words of the popular American Impressionist Childe Hassam, “some
things that are charming.”Many of the painters on viewembraced the central tenets of
Impressionism: light-filled natural settings loosely painted in high-key colors
with visible brushstrokes; fluidity of form; and an emphasis on atmospheric
transience. A “scenic impression” is the evocation of something seen, rather
than its literal transcription. In terms of subject matter, it is most
frequently a landscape, but it can also extend to a figurative composition set
outdoors. The artist’s experience—his or her impression of the scene at
hand—is paramount. The earliest paintings in the exhibition date from the 1880s and
illustrate a Barbizon-inspired aesthetic consisting of dark tones and simple
landscapes. Other works postdate Impressionism and display greater concern for
expression and form, along with an awareness of the picture plane.
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Location: |
Richardson Family Art Museum, upper level |
Contact: |
Youmi Efurd
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1:00 PM - 5:00 PM
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Exhibit: Japanese Art of the Edo and Meiji Eras, Richardson Family Art Museum, lower level
(Arts and Cultural (On Campus))
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Description: |
Japanese
Art of the Edo and Meiji Eras (1603-1912) displays a variety of cultural expressions of
Japan, including tea ceremony implements, woodblock prints, porcelains, and ink
paintings. The Edo Period (1603-1868), named after the Shogun capital, is
one of the most prosperous and thriving in the history of Japanese art.
The political stability established by the Tokugawa family prompted an increase
in artistic, cultural and social development, with flourishing and distinctive
aesthetics represented in paintings, ceramics, woodblock prints and decorative
arts. The Meiji Period (1868-1912), an era of radical social and
political change from feudalism to modernity and adopted Western influences,
witnessed a blending of cultures and an innovative interchange of old ideas and
new in Japanese art. This exhibition intends to further enhance scholarly
research for students in ARTH 322 Art of Japan, and several of the labels in
this exhibition will be written by students. Featured
works are loaned from the Shiro Kuma Collection of Edwin and Rhena Symmes in
Atlanta, GA, from the Edmund Daniel Kinzinger (1888-1963) Collection of Japanese Prints loaned by
David and Barbara Goist in Asheville, NC, and from the collection of Dr. and Mrs. Hunter Stokes ('60) in Florence, SC.
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Location: |
Richardson Family Art Museum, Lower Level |
Contact: |
Youmi Efurd
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2:30 PM - 3:50 PM
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The Ethics of Eating, Gray-Jones Room, Burwell
(Academic)
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Description: |
You are welcome to join our conversation about the impact of our food choices on our health, animals, and the environment. Daniel Klaeren from Ethcial Choices Program will offer a lively talk about this important moral issue.
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Location: |
Gray-Jones Room, Burwell Building |
Contact: |
Nancy Williams
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4:30 PM - 5:00 PM
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5:00 PM - 5:30 PM
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5:30 PM - 6:00 PM
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6:00 PM - 6:30 PM
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6:30 PM - 8:30 PM
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9:00 PM - 11:00 PM
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Wednesday, October 31, 2018
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(All Day)
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Peace Pole, Seal of Main Bldg.
(Student Life)
|
Description: |
The Peace Pole will be available until 10/31/18 for members of the Wofford community to tie continue tying orange ribbons around it. This is in response to the shooting at the Tree of Life synagogue, as orange represents the color for ending gun violence. The Peace Pole has "may there be peace on Earth" written in 9 different languages. The side-walls of Old Main also include the names and pictures of the victims and a message board where you can write a message to the Tree of Life. These messages will be sent to them at the end of the week. Please join Wofford Amnesty International and the Office of the Chaplain in keeping the victims, their family, and members of the Jewish community in your thoughts and prayers.
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Location: |
Seal of Old Main |
Contact: |
Vera Oberg
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1:00 PM - 5:00 PM
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Art Exhibit: Scenic Impressions: Southern Interpretations from the Johnson Collection, Richardson Family Art Museum, upper level
(Arts and Cultural (On Campus))
|
Description: |
Scenic Impressions: Southern Interpretations from the Johnson
Collection showcases forty-one artists—both native Southerners who recorded
their own region and distant places, and others who were transitory visitors or
seasonal residents. The result is a varied assortment of individual approaches,
and, in the words of the popular American Impressionist Childe Hassam, “some
things that are charming.”Many of the painters on viewembraced the central tenets of
Impressionism: light-filled natural settings loosely painted in high-key colors
with visible brushstrokes; fluidity of form; and an emphasis on atmospheric
transience. A “scenic impression” is the evocation of something seen, rather
than its literal transcription. In terms of subject matter, it is most
frequently a landscape, but it can also extend to a figurative composition set
outdoors. The artist’s experience—his or her impression of the scene at
hand—is paramount. The earliest paintings in the exhibition date from the 1880s and
illustrate a Barbizon-inspired aesthetic consisting of dark tones and simple
landscapes. Other works postdate Impressionism and display greater concern for
expression and form, along with an awareness of the picture plane.
|
Location: |
Richardson Family Art Museum, upper level |
Contact: |
Youmi Efurd
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1:00 PM - 5:00 PM
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Exhibit: Japanese Art of the Edo and Meiji Eras, Richardson Family Art Museum, lower level
(Arts and Cultural (On Campus))
|
Description: |
Japanese
Art of the Edo and Meiji Eras (1603-1912) displays a variety of cultural expressions of
Japan, including tea ceremony implements, woodblock prints, porcelains, and ink
paintings. The Edo Period (1603-1868), named after the Shogun capital, is
one of the most prosperous and thriving in the history of Japanese art.
The political stability established by the Tokugawa family prompted an increase
in artistic, cultural and social development, with flourishing and distinctive
aesthetics represented in paintings, ceramics, woodblock prints and decorative
arts. The Meiji Period (1868-1912), an era of radical social and
political change from feudalism to modernity and adopted Western influences,
witnessed a blending of cultures and an innovative interchange of old ideas and
new in Japanese art. This exhibition intends to further enhance scholarly
research for students in ARTH 322 Art of Japan, and several of the labels in
this exhibition will be written by students. Featured works are loaned from the Shiro Kuma Collection of Edwin and Rhena Symmes in Atlanta, GA, from the Edmund Daniel Kinzinger (1888-1963) Collection of Japanese Prints loaned by David and Barbara Goist in Asheville, NC, and from the collection of Dr. and Mrs. Hunter Stokes ('60) in Florence, SC.
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Location: |
Richardson Family Art Museum, Lower Level |
Contact: |
Youmi Efurd
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2:30 PM - 3:15 PM
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4:30 PM - 5:30 PM
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5:30 PM - 6:00 PM
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6:00 PM - 6:30 PM
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6:30 PM - 7:00 PM
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7:00 PM - 7:30 PM
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Thursday, November 1, 2018
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11:00 AM - 11:30 PM
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11:30 AM - 12:30 PM
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12:30 PM - 1:00 PM
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1:00 PM - 9:00 PM
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Art Exhibit: Scenic Impressions: Southern Interpretations from the Johnson Collection, Richardson Family Art Museum, upper level
(Arts and Cultural (On Campus))
|
Description: |
Scenic Impressions: Southern Interpretations from the Johnson
Collection showcases forty-one artists—both native Southerners who recorded
their own region and distant places, and others who were transitory visitors or
seasonal residents. The result is a varied assortment of individual approaches,
and, in the words of the popular American Impressionist Childe Hassam, “some
things that are charming.”Many of the painters on viewembraced the central tenets of
Impressionism: light-filled natural settings loosely painted in high-key colors
with visible brushstrokes; fluidity of form; and an emphasis on atmospheric
transience. A “scenic impression” is the evocation of something seen, rather
than its literal transcription. In terms of subject matter, it is most
frequently a landscape, but it can also extend to a figurative composition set
outdoors. The artist’s experience—his or her impression of the scene at
hand—is paramount. The earliest paintings in the exhibition date from the 1880s and
illustrate a Barbizon-inspired aesthetic consisting of dark tones and simple
landscapes. Other works postdate Impressionism and display greater concern for
expression and form, along with an awareness of the picture plane.
|
Location: |
Richardson Family Art Museum, upper level |
Contact: |
Youmi Efurd
|
|
1:00 PM - 9:00 PM
|
Exhibit: Japanese Art of the Edo and Meiji Eras, Richardson Family Art Museum, lower level
(Arts and Cultural (On Campus))
|
Description: |
Japanese
Art of the Edo and Meiji Eras (1603-1912) displays a variety of cultural expressions of
Japan, including tea ceremony implements, woodblock prints, porcelains, and ink
paintings. The Edo Period (1603-1868), named after the Shogun capital, is
one of the most prosperous and thriving in the history of Japanese art.
The political stability established by the Tokugawa family prompted an increase
in artistic, cultural and social development, with flourishing and distinctive
aesthetics represented in paintings, ceramics, woodblock prints and decorative
arts. The Meiji Period (1868-1912), an era of radical social and
political change from feudalism to modernity and adopted Western influences,
witnessed a blending of cultures and an innovative interchange of old ideas and
new in Japanese art. This exhibition intends to further enhance scholarly
research for students in ARTH 322 Art of Japan, and several of the labels in
this exhibition will be written by students. Featured works are loaned from the Shiro Kuma Collection of Edwin and Rhena Symmes in Atlanta, GA, from the Edmund Daniel Kinzinger (1888-1963) Collection of Japanese Prints loaned by David and Barbara Goist in Asheville, NC, and from the collection of Dr. and Mrs. Hunter Stokes ('60) in Florence, SC.
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Location: |
Richardson Family Art Museum, Lower Level |
Contact: |
Youmi Efurd
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4:00 PM - 5:00 PM
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4:30 PM - 5:00 PM
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5:00 PM - 5:30 PM
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5:30 PM - 6:00 PM
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6:00 PM - 6:30 PM
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6:30 PM - 8:30 PM
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Friday, November 2, 2018
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(All Day)
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1:00 PM - 5:00 PM
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Art Exhibit: Scenic Impressions: Southern Interpretations from the Johnson Collection, Richardson Family Art Museum, upper level
(Arts and Cultural (On Campus))
|
Description: |
Scenic Impressions: Southern Interpretations from the Johnson
Collection showcases forty-one artists—both native Southerners who recorded
their own region and distant places, and others who were transitory visitors or
seasonal residents. The result is a varied assortment of individual approaches,
and, in the words of the popular American Impressionist Childe Hassam, “some
things that are charming.”Many of the painters on viewembraced the central tenets of
Impressionism: light-filled natural settings loosely painted in high-key colors
with visible brushstrokes; fluidity of form; and an emphasis on atmospheric
transience. A “scenic impression” is the evocation of something seen, rather
than its literal transcription. In terms of subject matter, it is most
frequently a landscape, but it can also extend to a figurative composition set
outdoors. The artist’s experience—his or her impression of the scene at
hand—is paramount. The earliest paintings in the exhibition date from the 1880s and
illustrate a Barbizon-inspired aesthetic consisting of dark tones and simple
landscapes. Other works postdate Impressionism and display greater concern for
expression and form, along with an awareness of the picture plane.
|
Location: |
Richardson Family Art Museum, upper level |
Contact: |
Youmi Efurd
|
|
1:00 PM - 5:00 PM
|
Exhibit: Japanese Art of the Edo and Meiji Eras, Richardson Family Art Museum, lower level
(Arts and Cultural (On Campus))
|
Description: |
Japanese
Art of the Edo and Meiji Eras (1603-1912) displays a variety of cultural expressions of
Japan, including tea ceremony implements, woodblock prints, porcelains, and ink
paintings. The Edo Period (1603-1868), named after the Shogun capital, is
one of the most prosperous and thriving in the history of Japanese art.
The political stability established by the Tokugawa family prompted an increase
in artistic, cultural and social development, with flourishing and distinctive
aesthetics represented in paintings, ceramics, woodblock prints and decorative
arts. The Meiji Period (1868-1912), an era of radical social and
political change from feudalism to modernity and adopted Western influences,
witnessed a blending of cultures and an innovative interchange of old ideas and
new in Japanese art. This exhibition intends to further enhance scholarly
research for students in ARTH 322 Art of Japan, and several of the labels in
this exhibition will be written by students. Featured works are loaned from the Shiro Kuma Collection of Edwin and Rhena Symmes in Atlanta, GA, from the Edmund Daniel Kinzinger (1888-1963) Collection of Japanese Prints loaned by David and Barbara Goist in Asheville, NC, and from the collection of Dr. and Mrs. Hunter Stokes ('60) in Florence, SC.
|
Location: |
Richardson Family Art Museum, Lower Level |
Contact: |
Youmi Efurd
|
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3:00 PM - 4:00 PM
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4:00 PM - 4:30 PM
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4:30 PM - 5:00 PM
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5:00 PM - 5:30 PM
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5:30 PM - 6:00 PM
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6:00 PM - 7:00 PM
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SoCon Undergraduate Research Forum (SURF), Great Oaks Hall & Classrooms in RMSC
(Academic)
|
Description: |
WHO: Open to Wofford Students, Faculty, Staff, and Community
WHAT: Art; film; music; creative writing; science, humanities, & social science research or creative scholarly presentations
WHEN: Forum takes place November 2nd-4th;
WHERE: HERE at WOFFORD,
WHY: Come see what students from all ten SoCon campuses are creating and discovering For more information visit: http://www.soconsports.com/ViewArticle.dbml?DB_OEM_ID=4000&ATCLID=211715384
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Location: |
Great Oaks Hall and Classrooms of Milliken Science Building |
Contact: |
Stacey Hettes
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6:00 PM - 8:00 PM
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Saturday, November 3, 2018
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7:45 AM - 5:30 PM
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SoCon Undergraduate Research Forum (SURF), Great Oaks Hall & Classrooms in RMSC
(Academic)
|
Description: |
WHO: Open to Wofford Students, Faculty, Staff, and Community
WHAT: Art; film; music; creative writing; science, humanities, & social science research or creative scholarly presentations
WHEN: Forum takes place November 2nd-4th;
WHERE: HERE at WOFFORD,
WHY: Come see what students from all ten SoCon campuses are creating and discovering For more information visit: http://www.soconsports.com/ViewArticle.dbml?DB_OEM_ID=4000&ATCLID=211715384
|
Location: |
Great Oaks Hall and Classrooms of Milliken Science Building |
Contact: |
Stacey Hettes
|
|
11:00 AM - 11:30 AM
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|
11:30 AM - Noon
|
|
1:00 PM - 5:00 PM
|
Art Exhibit: Scenic Impressions: Southern Interpretations from the Johnson Collection, Richardson Family Art Museum, upper level
(Arts and Cultural (On Campus))
|
Description: |
Scenic Impressions: Southern Interpretations from the Johnson
Collection showcases forty-one artists—both native Southerners who recorded
their own region and distant places, and others who were transitory visitors or
seasonal residents. The result is a varied assortment of individual approaches,
and, in the words of the popular American Impressionist Childe Hassam, “some
things that are charming.”Many of the painters on viewembraced the central tenets of
Impressionism: light-filled natural settings loosely painted in high-key colors
with visible brushstrokes; fluidity of form; and an emphasis on atmospheric
transience. A “scenic impression” is the evocation of something seen, rather
than its literal transcription. In terms of subject matter, it is most
frequently a landscape, but it can also extend to a figurative composition set
outdoors. The artist’s experience—his or her impression of the scene at
hand—is paramount. The earliest paintings in the exhibition date from the 1880s and
illustrate a Barbizon-inspired aesthetic consisting of dark tones and simple
landscapes. Other works postdate Impressionism and display greater concern for
expression and form, along with an awareness of the picture plane.
|
Location: |
Richardson Family Art Museum, upper level |
Contact: |
Youmi Efurd
|
|
1:00 PM - 5:00 PM
|
Exhibit: Japanese Art of the Edo and Meiji Eras, Richardson Family Art Museum, lower level
(Arts and Cultural (On Campus))
|
Description: |
Japanese
Art of the Edo and Meiji Eras (1603-1912) displays a variety of cultural expressions of
Japan, including tea ceremony implements, woodblock prints, porcelains, and ink
paintings. The Edo Period (1603-1868), named after the Shogun capital, is
one of the most prosperous and thriving in the history of Japanese art.
The political stability established by the Tokugawa family prompted an increase
in artistic, cultural and social development, with flourishing and distinctive
aesthetics represented in paintings, ceramics, woodblock prints and decorative
arts. The Meiji Period (1868-1912), an era of radical social and
political change from feudalism to modernity and adopted Western influences,
witnessed a blending of cultures and an innovative interchange of old ideas and
new in Japanese art. This exhibition intends to further enhance scholarly
research for students in ARTH 322 Art of Japan, and several of the labels in
this exhibition will be written by students. Featured works are loaned from the Shiro Kuma Collection of Edwin and Rhena Symmes in Atlanta, GA, from the Edmund Daniel Kinzinger (1888-1963) Collection of Japanese Prints loaned by David and Barbara Goist in Asheville, NC, and from the collection of Dr. and Mrs. Hunter Stokes ('60) in Florence, SC.
|
Location: |
Richardson Family Art Museum, Lower Level |
Contact: |
Youmi Efurd
|
|
4:00 PM - 6:00 PM
|
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 |
 |
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